Five Questions: Katharine McGee

The Thousandth Floor

It’s one hundred years in the future, and New York is still the center of civilization, but with wicked cool new technology. Contact lenses can make calls and show your social media feed, cars are replaced by self-driving machines, and the tallest building in town is now 1000 stories tall: complete with schools, shops, parks, and houses–there is literally no need to go outside. Why would you want to?

Some things never change, however, and the wealthy still live extravagantly on the upper floors, teens still party and experiment with sex and drugs, and the course of true love still doesn’t run straight.

The Thousandth Floor and its sequel The Dazzling Heights follows a group of teens as they try to navigate their way to adulthood. Avery is the golden child, genetically modified to be gorgeous and smart. Her friends Eris, Leda and Cord all go to an exclusive school “Up Tower,” while Rylin and Watt, kids from the lower floors stumble into their orbit of parties, expensive clothes, and killer digs.

The Dazzling Heights

But things aren’t as perfect as they appear on the surface. Many secrets and troubles exist between the different players and someone ends up getting hurt. Will the others keep the secret, perhaps the deadliest secret of all?

Katharine McGee has put together a tale that is at once gleaming with polish and raw and authentic. I would pitch it as Gossip Girl of the 22nd century, and it really is a glossy read filled with lifestyles of the young and rich and the all-too-real troubles of a teen from any age: substance abuse, bullying, sex, and forbidden love. I really enjoyed these both and look forward to the next in the continuing series. Here are Katharine’s five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I lived in Manhattan for five years after I graduated from college, working as an editor of young adult fiction. This was back when the dystopian craze was all the rage, series like The Hunger Games and Divergent. I couldn’t stop thinking about those books, wondering what it said about us as a society that we were obsessed with such bleak, dark visions of the future. What would the future look like if, instead of destroying the world, we actually got things right—if each generation left the world better than they found it? I wanted to write a non-dystopian young adult novel set in the future, but hadn’t quite figured out what would look like.

Then I read an article about a concept called “vertical urbanization”: the idea that cities in the future will grow increasingly tall until they become massive skyscrapers. The idea captured my imagination. I mentioned it to my boss at work, who said the phrase “the thousandth floor,” and I knew I had my title right there! 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m an outliner through and through! I couldn’t survive without an outline, especially since I’m dealing with five different narrators, whose stories all intersect in complicated ways. One of my old writing professors called this the domino effect: if you change one thing that happens to one character, it creates a ripple that extends through all the stories. So before I write I spend a lot of time on my chapter-by-chapter outline. It inevitably changes along the way, but that’s just part of the process.

3. Who are the writers which most influence your writing style?

My favorite series of all time is still Philip Pullman’s His Dark Materials trilogy—there’s really nothing else like it, and I highly recommend it if you haven’t yet read it. I’m also very into George R.R. Martin lately, in no small part because of the way he so deftly handles his various narrators, killing off characters and then cycling in new ones, all while still maintaining a heart-pounding sense of urgency. I’ve been trying to do something a bit like that with The Thousandth Floor!

4. Do you listen to music when you write?

I’m one of those people who needs silence to write! Somehow my brain has trouble sorting through the prose, especially dialogue, when there’s music on. It’s like my brain can’t process the words of the music and then also come up with new words at the same time! So I’m not very good at getting work done in cafés: I mostly work in my home office, or occasionally in a library. But I do play music between scenes to take my mind off things!

5. What are you reading right now?

I just finished Kendare Blake’s One Dark Throne, which is the second in a fantastic fantasy series set in a world where three princess sisters have to kill each other, and the one who lives will become the queen! I’m also reading Neal Stephenson’s Quicksilver, an adult historical fiction/fantasy about the rise of early modern Europe. It’s one of those epic, sprawling stories that builds an incredible and intricate world, so I’ve been savoring it.

Katharine McGee

Katharine McGee is originally from Houston, Texas. She studied English and French literature at Princeton University and has an MBA from Stanford. It was during her years in New York, working as an editor by day and writing by night, that she began a manuscript about life in a futuristic skyscraper. The Thousandth Floor is her first novel. She currently lives in Houston with her husband. Check out her website at katharinemcgee.com.

Five Questions: Jodi Kendall

I have this theory that baby anything is cute. Puppies, kittens, piggies, scorpions…

Okay, any baby mammal is cute.

Hamlet is no exception. She is the runt of a litter and eleven-year-old Josie Shilling’s big brother sneaks her home from college over Thanksgiving. From the first moment the wee piglet enters the already cramped Shilling household Josie’s life is transformed. She convinces her parents to let her keep the pig until she can find a proper home for Hammie, and they give her until New Year’s Day.

Josie already has a busy life with four siblings, school, and gymnastics. Add in the rapidly growing pig that needs feeding, bathing, and exercise and Josie’s already full plate is overflowing. Can she manage everything and still find a safe place for her darling pig to live a long, happy life?

I can’t tell you how much I loved this story. Josie is a great character–earnest, sweet and awkward. The descriptions of her relationship with Hamlet are adorable, and I could really hear the pigs little grunts of contentment when they curl up in front of the fireplace. Add that it’s set during the Christmas season and this book just about explodes with fuzzy good feelings. But nothing is contrived, or overly sentimental. I think this book has Newbury Award written all over it. Everyone needs to read it.

Jodi Kendall is an agent sibling. This means she is another client of my agent, Alexander Slater of Trident Media Group. I’ve been following her publication story for a while now and I am so pleased to tell you The Unlikely Story of a Pig in the City was released this Tuesday to great reviews. Here are her five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

It was actually my husband saying an off-hand comment like, “You know your childhood pig? You should write about that.” That seed started the wheels turning in my mind, and memories flooded back from when I was a kid and my brother rescued a runt piglet from certain death at a nearby farm. He brought it home on break during college, and it lived with us in our house for about six months.

2. What is your writing process? Are you an outliner or a pantser?

I’m a pantser that’s a wannabe outliner. I usually only know a few things before I open up a blank document, and as I get further into the draft, I’ll have some notes with characters and opening problems and closing resolutions. Then I try to thread it all together. But so much of my process is an organic, surprising mystery to me.

3. Who are the writers which most influence your writing style?

As someone passionate about nature and human-animal connections, I absolutely love the work of Katherine Applegate, Kate DiCamillo, Peter Brown, and Sara Pennypacker. I’m in awe of Leah Henderson’s beautiful debut ONE SHADOW ON THE WALL – Her writing has such a lush, lyrical quality to it, almost like music. Studying her prose has recently inspired me to develop the loveliness and cadence of each sentence when I’m writing and revising.

4. Do you listen to music when you write?

Most of the time, yes. While I was writing THE UNLIKELY STORY OF A PIG IN THE CITY, I blasted holiday music. The story takes place between Thanksgiving and New Year’s Day, so I listened to Pentatonix albums on repeat.

5. What are you reading right now?

I’m reading ENGINERDS by Jarrett Lerner, which recently published. It’s hilarious, and fast-paced, with short chapters and great voice. I imagine it’ll be a new, funny favorite book for reluctant readers.

Please check out this book. Anyone who has ever loved an animal will get all the feels.

Jodi Kendall grew up in the Midwest with her family of seven and their household of countless pets, including hamsters, ducks, dogs, rabbits an iguana and yes…even a farm pig! As a freelance writer, Jodi once followed  a secret nighttime transport of a manta ray over state lines, swam with seven species of sharks, got up close and personal with venomous snakes, and motored through a saltwater crocodile breeding ground. These days, you can find Jodi typing away at home in New York City, where she’s still an animal lover at heart. Jodi holds an MFA from the University of Arizona and is an active member of SCBWI. This is her first novel. Visit Jodi online at www.jodikendall.com.

Chelsea Sedoti: Five Questions

Hawthorn Creely is the true essence of awkward. She doesn’t interact well with her peers, she is the total opposite of her golden jock older brother, and she always says the wrong thing. She might be a little self-absorbed too, but she’s too busy thinking about how awkward she is to notice.

But then Lizzie Lovett, a girl who graduated with her brother disappears on a camping trip and Hawthorn’s focus narrows to a point. What happened? Did her boyfriend have anything to do with it? Obsessively following the story, Hawthorn decides to do her own snooping around, including finding out more about Lizzie’s boyfriend and what he might know.

Chelsea Sedoti writes a fascinating tale of obsession, mystery, and danger. Hawthorn gets tangled in a web of her own making and must learn some hard lessons to extricate herself. The marvelous thing about this book is that even though there is darkness and despair there is also humor and light. Sedoti does a beautiful job of balancing the two.

Five Questions
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

Several years ago, I saw an article in the newspaper about a missing girl. Though I didn’t know her, I became oddly interested in the case. I started following it closely, checking daily for updates. After a few weeks of this, I stopped and asked myself why I was so obsessed with the missing girl. I didn’t have an answer, but decided I should pull back a little bit.

But the incident made me think about putting a character in the same situation. A teenage girl who gets wrapped up in a disappearance that has nothing to do with her. Only this girl wouldn’t know when to stop. She would let herself get drawn in to the disappearance more and more.

And just like that, the main character in THE HUNDRED LIES OF LIZZIE LOVETT was born. The rest of the story followed.

2.  What is your writing process? Are you an outliner or a pantser?

I tend to fall somewhere in between plotting and pantsing.

If I begin without knowing where the book is heading, I get lost along the way. It’s not fun to realize halfway through that a good portion of your story doesn’t make sense.

On the other hand, if I know every single thing that’s going to happen in a book, the writing process becomes much less exciting. I miss out on the moments where the characters surprise me.

So before I start writing, I know how the book begins, I know how it ends, and I know the key moments that happen along the way. Beyond that, I just wait and see where the story and characters take me.

3. Who are the writers which most influence your writing style?

My favorite writer is John Irving, and he’s been influencing my writing since I was a teenager. That might seem odd—he writes literary books for adults, I write strange books for teenagers. But my favorite thing about his writing has always been how he blends comedy and tragedy. Life is never entirely dark or entirely light. Most of the time it falls somewhere in the middle. And sometimes humor is the only way to get through tough situations. This is something I’ve tried to emulate in my own books.

4. Do you listen to music when you write?

I generally don’t listen to music when I write. I get very influenced by the mood of music. So, if I were trying to write a lighthearted scene and a gloomy song came on, it would completely change the tone of the story. Rather than always trying to match the music to what I’m working on at the moment, I opt to write in silence.

5. What are you reading right now?

I’m currently reading DARE MIGHTY THINGS by Heather Kaczynski, an upcoming science fiction book about a competition to join a mysterious space expedition.

Chelsea Sedoti

Chelsea Sedoti fell in love with writing at a young age after discovering that making up stories was more fun than doing her school work (her teachers didn’t always appreciate this.) In an effort to avoid getting a “real” job, Chelsea explored careers as a balloon twister, filmmaker, and paranormal investigator. Eventually she realized that her true passion is writing about flawed teenagers who are also afraid of growing up. When she’s not at the computer, Chelsea spends her time exploring abandoned buildings, eating junk food at roadside diners, and trying to befriend every animal in the world. She lives in Las Vegas, Nevada where she avoids casinos, but loves roaming the Mojave Desert.

C.J. Redwine: Five Questions

Once upon a time there was a beautiful princess who lived in a faraway castle…

Scratch that.

Okay, once there was a princess named Ari didn’t really want to be a princess if she couldn’t snort, eat what she liked, or be friends with Cleo, the daughter of the head of the kitchens.

Ari’s twin brother Thad was king of Súndraille. He didn’t want to be king if he couldn’t keep his sister safe. So he made a deal with a dark and dangerous fae named Teague who could make it all better, but at the cost of his soul in ten years’ time.

Sebastian was a poverty-stricken young man with a mysterious past who became the new king’s weapons master. He didn’t want to be near people at all but was just making coin until he had enough to buy a cottage by the sea far, far away.

These three young people must work together to find a solution to their problem: saving Thad’s soul and the entirety of Súndraille from obliteration and repression by the evil Teague.

This book was an absolute joy to read. It had all the classic markings of a good fairy tale–a dark and twisted premise, a wicked villain, and a heroine with a heart of gold. But in addition to that C.J. Redwine wove in cheeky humor, palpable sorrow, and some rather gruesome action. It all melded together into a delicious read that kept me turning pages. It moved like a comet and kept me guessing until the very end.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

THE WISH GRANTER started with the idea of writing a story about a Faustian Rumpelstiltskin, and then everything else built from there.

2. What is your writing process? Are you an outliner or a pantser?

I do a lot of world building and character development in my head (sometimes for years) before finally sitting down to write a very detailed synopsis, which mostly deals with backstory, world, and the major plot points. I discover the minor plot points as I write.

3. Who are the writers which most influence your writing style?

I love stories with vivid worlds, high stakes plots, and emotionally driven characters, so I’ve taken bits and pieces of inspiration from other writers who have some of those elements in their stories. Some examples would be Katie McGarry, C.S. Lewis, Terry Brooks, Rae Carson, Courtney Stevens, and J.K. Rowling.

4. Do you listen to music when you write?

I do! I build specific playlists for each book I write. My playlists are public on Spotify.

5. What are you reading right now?

I’m reading WINK POPPY MIDNIGHT by April Genevieve Tucholke

 

This is Redwine’s second book in the Ravenspire series. The first, The Shadow Queen, is a clever retelling of Snow White, and not to be missed.

C.J. Redwine is the New York Times bestselling author of YA fantasy novels, including The Shadow Queen, The Wish Granter, and the Defiance trilogy. If the novel writing gig ever falls through, she’ll join the Avengers and wear a cape to work every day. To learn more about C.J., visit her website at www.cjredwine.com.

 

Elly Blake: Five Questions

frostblood

I am a sucker for a good fantasy. Magic, new worlds, adventure, and mystery are just the things that to me make a thrilling story.

Elly Blake’s Frostblood is a prime example of what I mean. Ruby is a Fireblood–she can control fire. But being a Fireblood is a big secret in her world. The Frostbloods, who can control ice, want to obliterate every last Fireblood and will stop at nothing to do so. When Ruby’s village is attacked she unwittingly reveals her true nature and is thrown in prison where she is tormented with buckets of ice water.

But then two Frostblood men arrive and tell her they will break her out of prison if she agrees to help them with a mission. She doesn’t trust them but is desperate to be free. She is taken to an abbey where she is healed and taught how to use her power properly, though most who know her true nature are frightened of her and the danger she represents as a fugitive.

And then there is Arcus. He is the Frostblood that freed her from prison. He hides behind a mask and is very reticent to share anything about himself other than what he expects of her. But a reluctant truce forms and they begin an unlikely friendship.

This book was so well done. The writing was outstanding and the story was well-plotted and satisfying. The sequel, Fireblood, comes out in September and I am ready for it NOW.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I started with a character — Ruby, a girl with power over fire. I actually dreamed about a girl with power over fire and a king with an icy heart. When I woke up, I knew right away that her name was Ruby. I decided to focus on frost and fire as opposing elements, and started spinning ideas from there.

2. What is your writing process? Are you an outliner or a pantser?

I’m a pantser who wants to be a plotter. I try to plot, but I find it very hard to answer questions about character and plot before I start writing. I get to know the characters as I draft. So I know a few major points before I start, but the rest is a mystery until I have that messy draft. That’s when I focus on applying structure and plotting methods– during revisions.

3. Who are the writers which most influence your writing style?

There are many writers I love, and many writers whom I envy! I often wish I could write more like my favorite authors, but I’m not sure who actually influences my style most. I think when it comes to voice, most of our influences are unconscious. We pick things up from books we enjoy and it comes out when we write. A few of my favorite authors are: Marie Rutkoski, Megan Whelan Turner, Leigh Bardugo, Kristin Cashore, Morgan Rhodes, and so many more!

4. Do you listen to music when you write?

I usually listen to soundtracks: Tron: Legacy, Pirates of the Caribbean, Game of Thrones, The Dark Knight Rises, etc.

5. What are you reading right now?

I’m reading The Hate U Give by Angie Thomas. It’s so good! I just finished Caraval by Stephanie Garber, which was a beautiful read. (I also met Stephanie recently at a signing and that was a total thrill!) Next, I plan to read The Edge of Everything by Jeff Giles. I’m in a debut group so I’m reading a lot of 2017 debut books and loving them!

Elly Blake is the NYT bestselling author of Frostblood. After earning a BA in English literature, she held a series of seemingly random jobs, including project manager, customs clerk, graphic designer, reporter for a local business magazine, and (currently) library assistant. She lives in Southwestern Ontario with her husband, kids and a Siberian Husky mix who definitely shows Frostblood tendencies.

Ready for a thrilling fantasy?  Get your copy here:

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Eileen Cook: Five Questions

with-maliceI studied abroad when I was in college, and it was the best thing that had happened to me up to that point. Living and going to school in another country takes you out of your element and exposes you to new ways of being, and for that I am forever grateful.

But what if my time abroad had ended in tragedy? What if I woke up in a hosptial and had no recollection of how I had landed there or what had happened? Eileen Cook takes a look at that very premise in her young adult thriller With Malice.

A girl wakes up and doesn’t know where she is.  At least she remembers who she is, Jill Charron, a National Merit Scholar and state debate champion. But how she woke up connected to machines and tubes, an enormous pain in her head and a broken leg, she has no idea. The last thing she remembers is being with her friends Simone and Tara. But when her parents inform her she’s been in a car accident Jill is terrified she’s going to miss her study abroad trip. That’s when the second nasty surprise comes –she’s already been, the accident had happened in Italy.

With a traumatic brain injury Jill can’t remember a thing about going to Italy, let alone the accident that put her in the hospital. What really happened? Bit by bit Jill starts to put the pieces together and finds that the truth may or may not be more than she can stomach. Who is Niccolo? And had she and her best friend Simone really been fighting over him? Was the accident all her fault?

Told with a tense plot that reveals breadcrumbs to lead us back to the real story, With Malice is a twisty, dark thriller. Not knowing who to trust, Jill needs to untangle the fact from the fiction and discover just what part she played in the tragedy, and what really happened between Niccolo, Simone, and herself.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

There were a few things that came together to form the idea of this book. I’m fascinated with long-term friendships and how they survive and evolve, or don’t. I knew I wanted to write about two friends who had been in a relationship for so long that at times it was hard to tell where the good parts and the bad intersected. I’d also worked for over twenty years in the field of vocational rehabilitation assisting with people with injuries and illnesses. I’d done a lot of work with individuals with brain injury and taking the opportunity to explore identity and relationships when you can’t trust your own memory was exciting.

Once I wrote a full draft of the manuscript I knew it was missing something and two other pieces of inspiration fell into place. The first was that I was planning a trip to Italy and it occurred to me to set the book there. I did a semester abroad while in college. It was an amazing experience, but there is something very disorienting about being so far away from home and your own culture. I felt it would give Jill an extra push to explore her friendship if they were out of their current element. As I prepared for the trip I started to read more about the Amanda Knox trial and that motivated me to add the pressure coming from the media- where everyone else is deciding your guilt or innocence based on very little information.

The final bit of inspiration came from the first season of the Serial podcast by NPR. (If you haven’t listened- download it- you’ll thank me.) It’s a true crime story about a murder trial that happened in the 1990s. With each person that told their story I would shift my feelings. “He’s totally innocent! He’s guilty! Wait-he’s innocent!” I wanted to see if I could recreate that feeling for readers by providing them with new perspectives that might change how they felt about the story line.

2. What is your writing process? Are you an outliner or a pantser?

When I started writing it took me a long time to realize that what works for one writer might not work for another. I always encourage people to try different processes and see what fits their style.

What works for me is to spend time plotting and planning before starting to write. Sometimes this includes writing diary entries from different character’s point of view, making timelines, and endless lists.  I used to jump in as soon as I had an idea, but I’ve learned it’s better to let an idea ferment for a period of time.  Like wine, it gets more complex and interesting if it sits for a while.

I usually get up early and walk the dogs or go to the gym before settling in with a cup of tea and getting to work.  I’m not creative before eight in the morning or after ten at night. I usually have three or four hours of writing/creative time before my brain gives up.  I spend the rest of my day doing more business things, marketing, teaching, research etc.  Also looking at random things on the Internet, yelling at my dogs to stop digging in the yard, and drinking endless cups of tea.

3. Who are the writers which most influence your writing style?

In some ways I find this an impossible question because I am terrified I’ll leave someone out. From Judy Blume who I loved with a white hot passion growing up, to Stephen King who was one of the first to inspire me to want to be a writer. (Can you imagine two more different writers if you tried?)  With every book I read I’m interested to see how that writer chose to tell that story, the decisions they made from when to start the story, to whose perspective to how they increased the tension. I try and learn from everything I read. I don’t believe there is any one (or even two or three) writers that directly influenced my writing- it would be all of them.  One of the things that still gives me great joy is standing in a library or bookstore and being aware of just how many great books are out there to read. And writers just keep making more!

4. Do you listen to music when you write?

I love the idea of listening to music, but I find that when I do I tend to start singing along. No one wants that. I sound like someone stepping on a hamster when I sing. I will sometimes play movie soundtrack music in the background while writing. I find the music is designed to invoke an emotion so it can inspire me. For example, if I’m writing an action scene then the Indiana Jones theme song might be on.

5. What are you reading right now?

I’ve recently read two books that I’m excited about. Both are coming out in June and I was lucky enough to get a sneak peek. (There are some benefits to being a writer!) I just finished a book called The Party by Robyn Harding. It’s the story of a slumber party where something goes horribly wrong and how all members of the family unravel after the event. The other book is The Sisters Chase by Sarah Healy about two girls who are homeless after their mom’s death and how far the older sister will go to protect her younger sister. In both books there’s a mix of YA and adult perspectives and I found how the different ages viewed the situations really interesting. Plus they’re great reads!

eileen-cookEileen Cook is a multi-published author with her novels appearing in eight different languages. Her books have been optioned for film and TV. She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. Her newest book, With Malice, came out in June 2016 and was called “a creepy and satisfying thriller” by Entertainment Weekly. She’s an instructor/mentor with the Simon Fraser University Writer’s Studio Program.
You can read more about Eileen, her books, and the things that strike her as funny at http://www.eileencook.com. Eileen lives in Vancouver with her husband and two very naughty dogs and no longer wishes to be anyone or anywhere else.

It’s a thrill-ride that ends in a crash. Get your copy here:

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Michele Bacon: Five Questions

Life Before by Michele Bacon

It is really hard to write about abuse authentically. If you haven’t experienced it,  it is hard to put yourself in the victim’s shoes. If you have lived it, then it is equally hard to distance yourself from it and write from a perspective that isn’t so horribly devastating. Michele Bacon has done a phenomenal job in her portrayal of Alexander Fife and his physically abusive father in Life Before.

Xander is almost there. He is graduating from high school and has a full-ride scholarship to college. Once he gets there he can live a life that doesn’t fall under the shadow of his violent father. But on the night of his graduation ceremony a tragedy occurs that destroys his world and leaves him in danger for his life.

In order to spare those he loves the worst of the peril, Xander takes off. He reasons everyone will be safer with him gone and all he has to do is kill time until college starts. But life on the run is neither glamorous nor fun and Xander finds himself in Burlington, Vermont with no money, no friends, and no place to stay.

Bacon tells Xander’s story with the perfect balance of realistic danger, sorrow, fear and hope. It does not fall into a maudlin place because even though Xander finds himself at probably the lowest point of his young life, he is not completely bereft of hope, nor damaged beyond repair. He makes friends in Burlington, finds a job, and even meets a girl. But will he ever stop running from his past or go home again?

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The seed for this book was my greatest childhood fear. I grew up in a violent household, and for much of my childhood I was terrified that my father would kill my mother. While Xander’s story is fiction, it’s based on that fearful what if of my childhood.

2. What is your writing process? Are you an outliner or a pantser?

Today, I am a devoted plotter, but I wrote Life Before without plotting it first. I often wonder how it would have been different had I plotted it before writing.

3. Who are the writers which most influence your writing style?

I appreciate this question, because it’s more difficult than rattling off a list of authors whose work I enjoy. Instead of emulating others’ work, I try to learn something from every book I read. Here are three examples:

On pacing: In Janet McNally’s debut, The Girls in the Moon, I loved her transition between chapter 1, when her best friend arrives on the doorstep, and chapter 2, when we learn about that friendship. My curiosity forced me to turn the page.

On storytelling: Alison Bechdel’s first mention of 17-year cicadas in Fun Home seems interesting but immaterial, but she later uses the insects as a metaphor. I appreciated that echo, and how it changed my reading experience.

On point-of-view: Emma Straub’s The Vacationers is in and out of characters’ heads, moving the camera around to tell the whole story. I always write first person or third person close, but this book changed my mind about omniscience.

4. Do you listen to music when you write?

I have three small children, so I savor the quiet of my empty house. When I am experiencing stress or time constraints, I use solo cello music to help calm me and keep me focused.

5. What are you reading right now?

I’m poring over Atlas Obscura, which will inform my travel plans for years to come. I’ve just started The Portable Veblen, by Elizabeth McKenzie. I received it in the reddit books exchange, and it’s quite promising.

michele-baconMichele Bacon writes novel-length fiction for adults and young adults. An avid traveler, Michele has visited all 50 states and few dozen countries. She lived in many cities throughout the United States, and spent 14 months living in Christchurch, New Zealand before settling Seattle with her husband and three young daughters. Michele’s second novel, Antipodes, a coming-of-age novel about an ambitious teen forced into a foreign exchange program, will publish early in 2018.

I don’t, as a rule, cry at books. But this one did get me, I confess. It’s a wonderful read that ultimately gives you hope that Xander will not just survive, but thrive.

Get your copy here:

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Five Questions: Frances Hardinge

The Lie Tree by Frances Hardinge

The Lie Tree by Frances Hardinge

 

Frances Hardinge came onto my radar last spring when I was deep in research mode as to the pulse of historical fiction in the young adult category. Was it dead? I found through this book that indeed it was not. I wrote a full review of The Lie Tree back in May and you can read it here. I was thrilled when she answered my request to be interviewed. So here we go. May I introduce Frances Hardinge?

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The original seed was the idea of the Lie Tree itself – a plant that would feed on lies, and bear fruit that could be eaten to learn secrets. The notion came to me when I was out walking along the Thames path, and I remember stopping halfway across the bridge of Richmond Lock, knowing that I had the heart of a story.

2. What is your writing process? Are you an outliner or a pantser?

I am very definitely an outliner, and I tend to do a lot of planning and research. In the case of my first novel, I had a chapter by chapter outline! I haven’t planned the others in quite such precise detail, but I always know in advance the main things that are going to happen, and how the book will end. Having said that, my books sometimes surprise me, and I’ll realise halfway through them that I want to take the plot and character arcs in a different direction. It’s still helpful to have the original outline, though, otherwise I feel like I’m setting out on a journey without a roadmap.

3. Who are the writers which most influence your writing style?

There are too many to count! I know that I’m influenced by the authors I loved as a child – Susan Cooper, Nicholas Fisk, Alan Garner, Lewis Carroll, Catherine Storr, Richard Adams, Douglas Adams, Terry Pratchett, Conan Doyle, etc. I suspect I’ve also been influenced by writers like Wilkie Collins, E M Forster, the Brontes, all the mystery novels I gobbled during my teens and twenties, and many others.

4. Do you listen to music when you write?

Sometimes I do, and often it’s because I associate a particular track with a specific character or scene. This does tend to mean that I will listen to the same track over and over again. My significant other has bought me some very good headphones, so that this habit of mine doesn’t drive him insane…

5. What are you reading right now?

I’m reading a non-fiction book called “Thinking: Fast and Slow” by Dr Daniel Kahneman.

Frances Hardinge at home in London September 9, 2009

Frances Hardinge

Frances Hardinge was brought up in a sequence of small, sinister English villages, and spent a number of formative years living in a Gothic-looking, mouse-infested hilltop house in Kent. She studied English Language and Literature at Oxford, fell in love with the city’s crazed archaic beauty, and lived there for many years.

Whilst working full time as a technical author for a software company she started writing her first children’s novel, Fly by Night, and was with difficulty persuaded by a good friend to submit the manuscript to Macmillan. Seven of her books have now been published, all aimed at children and young adults. Her most recent book, The Lie Tree, won the Costa Book of the Year Award, the fiction category of the Boston Globe Hornbook Award and the 12-16 age category of the UKLA Awards.

Frances is seldom seen without her hat and is addicted to volcanoes.

So there you are. Award-winning and awesome storytelling. Get your copy here:

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Five Questions – Julie Berry

The Passion of Dolssa by Julie Berry

The Passion of Dolssa by Julie Berry

Last year when I was doing some market research in YA historical fiction I went to the bookstore and grabbed four books off the shelf and bought them. One of those was Julie Berry’s The Passion of Dolssa. I was not disappointed when I began reading.

Dolssa is a high-born young woman in 13th century France with the gift of hearing words directly from God. In her community she is revered as a miracle worker and a mystic, but the Church hears of her good deeds and brands her a heretic. Dolssa barely escapes being burned at the stake and goes on the run.

Botille lives in a fishing village on the coast and makes a living running a tavern with her sisters, but is also the town matchmaker. When she discovers Dolssa half-dead, she brings her back to the tavern and hides her, nursing her back to health and forming an unlikely friendship. But the Church won’t stop in their quest to find Dolssa. It is up to Botille and the people of her village to save the girl from a fiery fate.

I wrote a full review of The Passion of Dolssa last April and you can read it here.  It was a dark and twisty read full of great historical detail and a thrilling conclusion.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The Passion of Dolssa began gradually as several different pieces joined together. I’d always been interested in medieval mystics, and had read a fair bit about them. I had once thought, what if I recast Macbeth’s three witches as teenaged sisters running a roadside inn? At another time I thought, why do matchmakers always need to be older women? What if there was a young matchmaker? But none of these ideas found each other until I listened to an audio lecture on the Albigensian Crusade in southern France in the early 13th Century, and the subsequent inquisitions into heresy. Then everything clicked: what if a girl mystic was accused of heresy and sentenced to execution, then rescued and helped by a girl matchmaker who runs a tavern with her two sisters? Et voilà. The Passion of Dolssa. Plus a few years of research, writing, and revision, give or take. 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m pretty much a pantser, but I use outlines extensively when revising. The Passion of Dolssa underwent significant revision, and outlines were crucially to wrapping my head around the scope of the story and its many voices and moving parts.

3. Who are the writers which most influence your writing style?

Hm, I’m really not sure how to answer that one. I don’t there’s anyone whom I consciously try to evoke. I have lots of favorite authors, but I don’t know to that extent they find their way into my style. I love Charles Dickens, P.G. Wodehouse, Agatha Christie, C.S. Lewis, Jane Austen, the Bronte sisters – the usual suspects, I guess.

4. Do you listen to music when you write?

I don’t. I love music, so it diverts my attention away from writing. Background noise isn’t my friend. It’s why I don’t write in cafés.

5. What are you reading right now?

I’m reading 13 Ways of Looking at the Novel by Jane Smiley, and Heart of Darkness by Joseph Conrad.

Julie Berry

Julie Berry

Julie Berry is the author of the acclaimed young adult novel The Passion of Dolssa, the award-winning, All the Truth That’s in Me (2013, Viking) and The Scandalous Sisterhood of Prickwillow Place (2014, Roaring Brook), and six other critically acclaimed titles for young readers. A forthcoming middle grade novel, The Emperor’s Ostrich, releases in June 2017 from Roaring Brook. She grew up in western New York and holds a BS from Rensselaer in communication and an MFA from Vermont College in writing for children and young adults. Before becoming an author, she worked in software sales and marketing. She now divides her time between eastern Massachusetts and southern California with her husband and four sons. Find her online at www.julieberrybooks.com, or on Twitter at @julieberrybooks.

And you know you want to read The Passion of Dolssa now, don’t you? You can buy it here:

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Five Questions: Molly Booth

saving-hamlet-molly-booth-2Molly Booth is adorable. A cute, pixie haircut, glasses, and a huge, beautiful smile. And she’s a damn fine writer too. Her debut novel, Saving Hamlet, was just published in November. It’s funny as hell, smart, and has Shakespeare! What’s not to love?

In Saving Hamlet we meet Emma, a high school student who has recently shed her jock persona in favor of a drama geek. She is the stage manager of her school’s production of Hamlet and things aren’t going well. The lead is struggling with his lines, Ophelia is being a prima donna, and the director (her secret crush) is not, well, being directional. And then one night Emma accidentally falls through the stage trapdoor and finds herself in the basement of the Globe Theater in London. In the sixteenth century. Emma has to find a way back home and glean enough information from her experience with the Globe’s theatrical company to make her own high school show a success.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The original idea for Saving Hamlet came when I was a sophomore at Marlboro College, taking a fiction workshop and a Shakespeare course at the same time. My professor, Paul Nelsen, taught us about Shakespeare’s backstage and history, and it was so exciting! So many plays at once, barely any rehearsal time, lightning-paced theater. I’d been a stage manager in high school and for part of college, so reading about the Globe and the Chamberlain’s Men was thrilling. I came up with a short story idea to have a teenager travel back in time there, and get to work with Shakespeare. I started writing Emma (my main character), and her challenges and voice helped shape the story, which eventually became Saving Hamlet.

2. What is your writing process? Are you an outliner or a pantser?

A bit of both! I write one draft without a whole lot of plotting, then I do a long outline before the next one. Some chapters I go in knowing what needs to happen, sometimes I write until I figure it out, and then go back and revise. I think part of what’s exciting (and terrifying) for me about writing is that you don’t know how it’s all going to happen before you do it. Maybe once I’ve written 10 or 20 books I’ll know ahead of time, but I doubt it!

3. Who are the writers which most influence your writing style?

I grew up reading Meg Cabot and Tamora Pierce, and I do think some of how I write was formed by their (far superior) clear prose, humor, and character development. In recent years, I’ve also turned to Rainbow Rowell when looking for inspiration — she writes so fearlessly, and her books give me courage.

4. Do you listen to music when you write?

Sometimes! If I do, it’s almost always instrumental electronic music. I wrote Saving Hamlet to the Social Network soundtrack and deadmau5, and for Nothing Happened, I’ve been writing with Ratatat in the background. I usually listen to musicals, alternative rock/pop, and Taylor Swift, so the electronic thing is definitely a weird writing phenomenon for me.

5. What are you reading right now?

Right now, I’m reading Hag-Seed  by Margaret Atwood, a retelling of The Tempest, as well as finishing The Magicians trilogy by Lev Grossman. I also just finished my friend Dana Langer’s truly wonderful middle grade novel, Siren Sisters, which I cannot recommend enough!

Molly Booth

Molly Booth

Molly Booth is a freelance writer, youth theatre director, and graduate student at UMass Boston. She writes YA books about Shakespeare and feelings. Her first novel Saving Hamlet, is out now from Disney Hyperion. Her second, Nothing Happened will be coming spring 2018. She lives in Boston, and has almost too many pets. Almost. For more, find her on twitter @mollygbooth, and visit her website: www.mollybooth.com

Saving Hamlet was probably my favorite YA read of 2016. You’ll laugh out loud, I promise.

Get your copy here:

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