The final lap…

“Been around that track a couple of times but now the dust is starting clear…” ~Dead Horse, Guns N’ Roses

Last week I officially finished draft three of my manuscript. My husband and I edited it together, and I have to say he is a wizard when it comes to pointing out flaws, or places where I can massage the story a little more. It’s a miracle that we can work together as well as we do, and that we’re still happily married.

So now all of the pieces are in place and have been filled out to their best potential. Tonight we start on the final polish. I will read it aloud to him and we will tweak the hell out of it, polishing until it shines like the top of the Chrysler building. (Shout out to little orphan Annie.)

As in my last post, I am so far down the well of editing that I have hardly had time for anything else in my life but the book, book, book! I am looking forward to having a little breather after I send it off to my agent. (Who am I kidding? I’m going to eat my nails off one-by-one until I hear back from him.)

That being said, I am really proud of this book. I am so pleased with the way it all came together in the last draft. I am excited to move forward and find this little book a home at a publishing house.

It’s time.

 

Down the Rabbit Hole

Like Alice in Wonderland, I’ve been deep underground in a surreal bout of editing. I can’t tell you how many times I have rewritten the ending of my novel. I think this count is number five. But each time it gets better and I think I might be there soon.

Please let me be there soon.

This novel has taken all my time, sucked every last second of my day that isn’t spent doing other things (you know, like my 40 hour a week job.) I’m obsessed, I’m determined, and I am so ready for this draft to be over. But that said, it keeps getting better every time I make changes. It tightens, streamlines, and propels the plot forward like a comet.

What’s it about? The (working) title is The Abduction of Audrey Bettencourt and I style it as a Pride and Prejudice meets X-Men. My heroine, Jane Bell, the youngest lady’s maid in London has a peculiar talent. She can pick up any inanimate object–a glove, a shoe, a handkerchief, and she can sense who touched it last and what they were feeling at the time. Her employer, Audrey Bettencourt is the most highly sought after debutante of her season. When she is kidnapped from her own coming out ball it is up to Jane to follow the clues to bring her home safely. But the reasons of her kidnapping are much more complex and far reaching than Jane realizes and she finds herself on a chase across the Continent to bring Audrey home.

I have fallen down the rabbit hole of editing. I might be able to climb my way back up soon. There are only 30 pages left in my manuscript, but it is the big finale and it must be as explosive, exciting and perfect as I can make it. The process of the second draft has been so protracted that I am losing patience with myself, although I am so close. Just a few more days work and I feel I will be there. If only I didn’t have this pesky day job taking up all my time and energy I would have been done weeks ago. But eating and having shelter are important too, I guess.

But soon I will put draft two to bed and then begin on the next step: draft three. *headdesk*

I will come out of this someday. And when I do I will have a polished novel with a kickass heroine and a twisty plot with a big bang ending. Stay tuned.

C.J. Redwine: Five Questions

Once upon a time there was a beautiful princess who lived in a faraway castle…

Scratch that.

Okay, once there was a princess named Ari didn’t really want to be a princess if she couldn’t snort, eat what she liked, or be friends with Cleo, the daughter of the head of the kitchens.

Ari’s twin brother Thad was king of Súndraille. He didn’t want to be king if he couldn’t keep his sister safe. So he made a deal with a dark and dangerous fae named Teague who could make it all better, but at the cost of his soul in ten years’ time.

Sebastian was a poverty-stricken young man with a mysterious past who became the new king’s weapons master. He didn’t want to be near people at all but was just making coin until he had enough to buy a cottage by the sea far, far away.

These three young people must work together to find a solution to their problem: saving Thad’s soul and the entirety of Súndraille from obliteration and repression by the evil Teague.

This book was an absolute joy to read. It had all the classic markings of a good fairy tale–a dark and twisted premise, a wicked villain, and a heroine with a heart of gold. But in addition to that C.J. Redwine wove in cheeky humor, palpable sorrow, and some rather gruesome action. It all melded together into a delicious read that kept me turning pages. It moved like a comet and kept me guessing until the very end.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

THE WISH GRANTER started with the idea of writing a story about a Faustian Rumpelstiltskin, and then everything else built from there.

2. What is your writing process? Are you an outliner or a pantser?

I do a lot of world building and character development in my head (sometimes for years) before finally sitting down to write a very detailed synopsis, which mostly deals with backstory, world, and the major plot points. I discover the minor plot points as I write.

3. Who are the writers which most influence your writing style?

I love stories with vivid worlds, high stakes plots, and emotionally driven characters, so I’ve taken bits and pieces of inspiration from other writers who have some of those elements in their stories. Some examples would be Katie McGarry, C.S. Lewis, Terry Brooks, Rae Carson, Courtney Stevens, and J.K. Rowling.

4. Do you listen to music when you write?

I do! I build specific playlists for each book I write. My playlists are public on Spotify.

5. What are you reading right now?

I’m reading WINK POPPY MIDNIGHT by April Genevieve Tucholke

 

This is Redwine’s second book in the Ravenspire series. The first, The Shadow Queen, is a clever retelling of Snow White, and not to be missed.

C.J. Redwine is the New York Times bestselling author of YA fantasy novels, including The Shadow Queen, The Wish Granter, and the Defiance trilogy. If the novel writing gig ever falls through, she’ll join the Avengers and wear a cape to work every day. To learn more about C.J., visit her website at www.cjredwine.com.

 

Elly Blake: Five Questions

frostblood

I am a sucker for a good fantasy. Magic, new worlds, adventure, and mystery are just the things that to me make a thrilling story.

Elly Blake’s Frostblood is a prime example of what I mean. Ruby is a Fireblood–she can control fire. But being a Fireblood is a big secret in her world. The Frostbloods, who can control ice, want to obliterate every last Fireblood and will stop at nothing to do so. When Ruby’s village is attacked she unwittingly reveals her true nature and is thrown in prison where she is tormented with buckets of ice water.

But then two Frostblood men arrive and tell her they will break her out of prison if she agrees to help them with a mission. She doesn’t trust them but is desperate to be free. She is taken to an abbey where she is healed and taught how to use her power properly, though most who know her true nature are frightened of her and the danger she represents as a fugitive.

And then there is Arcus. He is the Frostblood that freed her from prison. He hides behind a mask and is very reticent to share anything about himself other than what he expects of her. But a reluctant truce forms and they begin an unlikely friendship.

This book was so well done. The writing was outstanding and the story was well-plotted and satisfying. The sequel, Fireblood, comes out in September and I am ready for it NOW.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I started with a character — Ruby, a girl with power over fire. I actually dreamed about a girl with power over fire and a king with an icy heart. When I woke up, I knew right away that her name was Ruby. I decided to focus on frost and fire as opposing elements, and started spinning ideas from there.

2. What is your writing process? Are you an outliner or a pantser?

I’m a pantser who wants to be a plotter. I try to plot, but I find it very hard to answer questions about character and plot before I start writing. I get to know the characters as I draft. So I know a few major points before I start, but the rest is a mystery until I have that messy draft. That’s when I focus on applying structure and plotting methods– during revisions.

3. Who are the writers which most influence your writing style?

There are many writers I love, and many writers whom I envy! I often wish I could write more like my favorite authors, but I’m not sure who actually influences my style most. I think when it comes to voice, most of our influences are unconscious. We pick things up from books we enjoy and it comes out when we write. A few of my favorite authors are: Marie Rutkoski, Megan Whelan Turner, Leigh Bardugo, Kristin Cashore, Morgan Rhodes, and so many more!

4. Do you listen to music when you write?

I usually listen to soundtracks: Tron: Legacy, Pirates of the Caribbean, Game of Thrones, The Dark Knight Rises, etc.

5. What are you reading right now?

I’m reading The Hate U Give by Angie Thomas. It’s so good! I just finished Caraval by Stephanie Garber, which was a beautiful read. (I also met Stephanie recently at a signing and that was a total thrill!) Next, I plan to read The Edge of Everything by Jeff Giles. I’m in a debut group so I’m reading a lot of 2017 debut books and loving them!

Elly Blake is the NYT bestselling author of Frostblood. After earning a BA in English literature, she held a series of seemingly random jobs, including project manager, customs clerk, graphic designer, reporter for a local business magazine, and (currently) library assistant. She lives in Southwestern Ontario with her husband, kids and a Siberian Husky mix who definitely shows Frostblood tendencies.

Ready for a thrilling fantasy?  Get your copy here:

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Eileen Cook: Five Questions

with-maliceI studied abroad when I was in college, and it was the best thing that had happened to me up to that point. Living and going to school in another country takes you out of your element and exposes you to new ways of being, and for that I am forever grateful.

But what if my time abroad had ended in tragedy? What if I woke up in a hosptial and had no recollection of how I had landed there or what had happened? Eileen Cook takes a look at that very premise in her young adult thriller With Malice.

A girl wakes up and doesn’t know where she is.  At least she remembers who she is, Jill Charron, a National Merit Scholar and state debate champion. But how she woke up connected to machines and tubes, an enormous pain in her head and a broken leg, she has no idea. The last thing she remembers is being with her friends Simone and Tara. But when her parents inform her she’s been in a car accident Jill is terrified she’s going to miss her study abroad trip. That’s when the second nasty surprise comes –she’s already been, the accident had happened in Italy.

With a traumatic brain injury Jill can’t remember a thing about going to Italy, let alone the accident that put her in the hospital. What really happened? Bit by bit Jill starts to put the pieces together and finds that the truth may or may not be more than she can stomach. Who is Niccolo? And had she and her best friend Simone really been fighting over him? Was the accident all her fault?

Told with a tense plot that reveals breadcrumbs to lead us back to the real story, With Malice is a twisty, dark thriller. Not knowing who to trust, Jill needs to untangle the fact from the fiction and discover just what part she played in the tragedy, and what really happened between Niccolo, Simone, and herself.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

There were a few things that came together to form the idea of this book. I’m fascinated with long-term friendships and how they survive and evolve, or don’t. I knew I wanted to write about two friends who had been in a relationship for so long that at times it was hard to tell where the good parts and the bad intersected. I’d also worked for over twenty years in the field of vocational rehabilitation assisting with people with injuries and illnesses. I’d done a lot of work with individuals with brain injury and taking the opportunity to explore identity and relationships when you can’t trust your own memory was exciting.

Once I wrote a full draft of the manuscript I knew it was missing something and two other pieces of inspiration fell into place. The first was that I was planning a trip to Italy and it occurred to me to set the book there. I did a semester abroad while in college. It was an amazing experience, but there is something very disorienting about being so far away from home and your own culture. I felt it would give Jill an extra push to explore her friendship if they were out of their current element. As I prepared for the trip I started to read more about the Amanda Knox trial and that motivated me to add the pressure coming from the media- where everyone else is deciding your guilt or innocence based on very little information.

The final bit of inspiration came from the first season of the Serial podcast by NPR. (If you haven’t listened- download it- you’ll thank me.) It’s a true crime story about a murder trial that happened in the 1990s. With each person that told their story I would shift my feelings. “He’s totally innocent! He’s guilty! Wait-he’s innocent!” I wanted to see if I could recreate that feeling for readers by providing them with new perspectives that might change how they felt about the story line.

2. What is your writing process? Are you an outliner or a pantser?

When I started writing it took me a long time to realize that what works for one writer might not work for another. I always encourage people to try different processes and see what fits their style.

What works for me is to spend time plotting and planning before starting to write. Sometimes this includes writing diary entries from different character’s point of view, making timelines, and endless lists.  I used to jump in as soon as I had an idea, but I’ve learned it’s better to let an idea ferment for a period of time.  Like wine, it gets more complex and interesting if it sits for a while.

I usually get up early and walk the dogs or go to the gym before settling in with a cup of tea and getting to work.  I’m not creative before eight in the morning or after ten at night. I usually have three or four hours of writing/creative time before my brain gives up.  I spend the rest of my day doing more business things, marketing, teaching, research etc.  Also looking at random things on the Internet, yelling at my dogs to stop digging in the yard, and drinking endless cups of tea.

3. Who are the writers which most influence your writing style?

In some ways I find this an impossible question because I am terrified I’ll leave someone out. From Judy Blume who I loved with a white hot passion growing up, to Stephen King who was one of the first to inspire me to want to be a writer. (Can you imagine two more different writers if you tried?)  With every book I read I’m interested to see how that writer chose to tell that story, the decisions they made from when to start the story, to whose perspective to how they increased the tension. I try and learn from everything I read. I don’t believe there is any one (or even two or three) writers that directly influenced my writing- it would be all of them.  One of the things that still gives me great joy is standing in a library or bookstore and being aware of just how many great books are out there to read. And writers just keep making more!

4. Do you listen to music when you write?

I love the idea of listening to music, but I find that when I do I tend to start singing along. No one wants that. I sound like someone stepping on a hamster when I sing. I will sometimes play movie soundtrack music in the background while writing. I find the music is designed to invoke an emotion so it can inspire me. For example, if I’m writing an action scene then the Indiana Jones theme song might be on.

5. What are you reading right now?

I’ve recently read two books that I’m excited about. Both are coming out in June and I was lucky enough to get a sneak peek. (There are some benefits to being a writer!) I just finished a book called The Party by Robyn Harding. It’s the story of a slumber party where something goes horribly wrong and how all members of the family unravel after the event. The other book is The Sisters Chase by Sarah Healy about two girls who are homeless after their mom’s death and how far the older sister will go to protect her younger sister. In both books there’s a mix of YA and adult perspectives and I found how the different ages viewed the situations really interesting. Plus they’re great reads!

eileen-cookEileen Cook is a multi-published author with her novels appearing in eight different languages. Her books have been optioned for film and TV. She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. Her newest book, With Malice, came out in June 2016 and was called “a creepy and satisfying thriller” by Entertainment Weekly. She’s an instructor/mentor with the Simon Fraser University Writer’s Studio Program.
You can read more about Eileen, her books, and the things that strike her as funny at http://www.eileencook.com. Eileen lives in Vancouver with her husband and two very naughty dogs and no longer wishes to be anyone or anywhere else.

It’s a thrill-ride that ends in a crash. Get your copy here:

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Five Questions: Frances Hardinge

The Lie Tree by Frances Hardinge

The Lie Tree by Frances Hardinge

 

Frances Hardinge came onto my radar last spring when I was deep in research mode as to the pulse of historical fiction in the young adult category. Was it dead? I found through this book that indeed it was not. I wrote a full review of The Lie Tree back in May and you can read it here. I was thrilled when she answered my request to be interviewed. So here we go. May I introduce Frances Hardinge?

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The original seed was the idea of the Lie Tree itself – a plant that would feed on lies, and bear fruit that could be eaten to learn secrets. The notion came to me when I was out walking along the Thames path, and I remember stopping halfway across the bridge of Richmond Lock, knowing that I had the heart of a story.

2. What is your writing process? Are you an outliner or a pantser?

I am very definitely an outliner, and I tend to do a lot of planning and research. In the case of my first novel, I had a chapter by chapter outline! I haven’t planned the others in quite such precise detail, but I always know in advance the main things that are going to happen, and how the book will end. Having said that, my books sometimes surprise me, and I’ll realise halfway through them that I want to take the plot and character arcs in a different direction. It’s still helpful to have the original outline, though, otherwise I feel like I’m setting out on a journey without a roadmap.

3. Who are the writers which most influence your writing style?

There are too many to count! I know that I’m influenced by the authors I loved as a child – Susan Cooper, Nicholas Fisk, Alan Garner, Lewis Carroll, Catherine Storr, Richard Adams, Douglas Adams, Terry Pratchett, Conan Doyle, etc. I suspect I’ve also been influenced by writers like Wilkie Collins, E M Forster, the Brontes, all the mystery novels I gobbled during my teens and twenties, and many others.

4. Do you listen to music when you write?

Sometimes I do, and often it’s because I associate a particular track with a specific character or scene. This does tend to mean that I will listen to the same track over and over again. My significant other has bought me some very good headphones, so that this habit of mine doesn’t drive him insane…

5. What are you reading right now?

I’m reading a non-fiction book called “Thinking: Fast and Slow” by Dr Daniel Kahneman.

Frances Hardinge at home in London September 9, 2009

Frances Hardinge

Frances Hardinge was brought up in a sequence of small, sinister English villages, and spent a number of formative years living in a Gothic-looking, mouse-infested hilltop house in Kent. She studied English Language and Literature at Oxford, fell in love with the city’s crazed archaic beauty, and lived there for many years.

Whilst working full time as a technical author for a software company she started writing her first children’s novel, Fly by Night, and was with difficulty persuaded by a good friend to submit the manuscript to Macmillan. Seven of her books have now been published, all aimed at children and young adults. Her most recent book, The Lie Tree, won the Costa Book of the Year Award, the fiction category of the Boston Globe Hornbook Award and the 12-16 age category of the UKLA Awards.

Frances is seldom seen without her hat and is addicted to volcanoes.

So there you are. Award-winning and awesome storytelling. Get your copy here:

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Five Questions – Julie Berry

The Passion of Dolssa by Julie Berry

The Passion of Dolssa by Julie Berry

Last year when I was doing some market research in YA historical fiction I went to the bookstore and grabbed four books off the shelf and bought them. One of those was Julie Berry’s The Passion of Dolssa. I was not disappointed when I began reading.

Dolssa is a high-born young woman in 13th century France with the gift of hearing words directly from God. In her community she is revered as a miracle worker and a mystic, but the Church hears of her good deeds and brands her a heretic. Dolssa barely escapes being burned at the stake and goes on the run.

Botille lives in a fishing village on the coast and makes a living running a tavern with her sisters, but is also the town matchmaker. When she discovers Dolssa half-dead, she brings her back to the tavern and hides her, nursing her back to health and forming an unlikely friendship. But the Church won’t stop in their quest to find Dolssa. It is up to Botille and the people of her village to save the girl from a fiery fate.

I wrote a full review of The Passion of Dolssa last April and you can read it here.  It was a dark and twisty read full of great historical detail and a thrilling conclusion.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The Passion of Dolssa began gradually as several different pieces joined together. I’d always been interested in medieval mystics, and had read a fair bit about them. I had once thought, what if I recast Macbeth’s three witches as teenaged sisters running a roadside inn? At another time I thought, why do matchmakers always need to be older women? What if there was a young matchmaker? But none of these ideas found each other until I listened to an audio lecture on the Albigensian Crusade in southern France in the early 13th Century, and the subsequent inquisitions into heresy. Then everything clicked: what if a girl mystic was accused of heresy and sentenced to execution, then rescued and helped by a girl matchmaker who runs a tavern with her two sisters? Et voilà. The Passion of Dolssa. Plus a few years of research, writing, and revision, give or take. 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m pretty much a pantser, but I use outlines extensively when revising. The Passion of Dolssa underwent significant revision, and outlines were crucially to wrapping my head around the scope of the story and its many voices and moving parts.

3. Who are the writers which most influence your writing style?

Hm, I’m really not sure how to answer that one. I don’t there’s anyone whom I consciously try to evoke. I have lots of favorite authors, but I don’t know to that extent they find their way into my style. I love Charles Dickens, P.G. Wodehouse, Agatha Christie, C.S. Lewis, Jane Austen, the Bronte sisters – the usual suspects, I guess.

4. Do you listen to music when you write?

I don’t. I love music, so it diverts my attention away from writing. Background noise isn’t my friend. It’s why I don’t write in cafés.

5. What are you reading right now?

I’m reading 13 Ways of Looking at the Novel by Jane Smiley, and Heart of Darkness by Joseph Conrad.

Julie Berry

Julie Berry

Julie Berry is the author of the acclaimed young adult novel The Passion of Dolssa, the award-winning, All the Truth That’s in Me (2013, Viking) and The Scandalous Sisterhood of Prickwillow Place (2014, Roaring Brook), and six other critically acclaimed titles for young readers. A forthcoming middle grade novel, The Emperor’s Ostrich, releases in June 2017 from Roaring Brook. She grew up in western New York and holds a BS from Rensselaer in communication and an MFA from Vermont College in writing for children and young adults. Before becoming an author, she worked in software sales and marketing. She now divides her time between eastern Massachusetts and southern California with her husband and four sons. Find her online at www.julieberrybooks.com, or on Twitter at @julieberrybooks.

And you know you want to read The Passion of Dolssa now, don’t you? You can buy it here:

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Five Questions: Molly Booth

saving-hamlet-molly-booth-2Molly Booth is adorable. A cute, pixie haircut, glasses, and a huge, beautiful smile. And she’s a damn fine writer too. Her debut novel, Saving Hamlet, was just published in November. It’s funny as hell, smart, and has Shakespeare! What’s not to love?

In Saving Hamlet we meet Emma, a high school student who has recently shed her jock persona in favor of a drama geek. She is the stage manager of her school’s production of Hamlet and things aren’t going well. The lead is struggling with his lines, Ophelia is being a prima donna, and the director (her secret crush) is not, well, being directional. And then one night Emma accidentally falls through the stage trapdoor and finds herself in the basement of the Globe Theater in London. In the sixteenth century. Emma has to find a way back home and glean enough information from her experience with the Globe’s theatrical company to make her own high school show a success.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

The original idea for Saving Hamlet came when I was a sophomore at Marlboro College, taking a fiction workshop and a Shakespeare course at the same time. My professor, Paul Nelsen, taught us about Shakespeare’s backstage and history, and it was so exciting! So many plays at once, barely any rehearsal time, lightning-paced theater. I’d been a stage manager in high school and for part of college, so reading about the Globe and the Chamberlain’s Men was thrilling. I came up with a short story idea to have a teenager travel back in time there, and get to work with Shakespeare. I started writing Emma (my main character), and her challenges and voice helped shape the story, which eventually became Saving Hamlet.

2. What is your writing process? Are you an outliner or a pantser?

A bit of both! I write one draft without a whole lot of plotting, then I do a long outline before the next one. Some chapters I go in knowing what needs to happen, sometimes I write until I figure it out, and then go back and revise. I think part of what’s exciting (and terrifying) for me about writing is that you don’t know how it’s all going to happen before you do it. Maybe once I’ve written 10 or 20 books I’ll know ahead of time, but I doubt it!

3. Who are the writers which most influence your writing style?

I grew up reading Meg Cabot and Tamora Pierce, and I do think some of how I write was formed by their (far superior) clear prose, humor, and character development. In recent years, I’ve also turned to Rainbow Rowell when looking for inspiration — she writes so fearlessly, and her books give me courage.

4. Do you listen to music when you write?

Sometimes! If I do, it’s almost always instrumental electronic music. I wrote Saving Hamlet to the Social Network soundtrack and deadmau5, and for Nothing Happened, I’ve been writing with Ratatat in the background. I usually listen to musicals, alternative rock/pop, and Taylor Swift, so the electronic thing is definitely a weird writing phenomenon for me.

5. What are you reading right now?

Right now, I’m reading Hag-Seed  by Margaret Atwood, a retelling of The Tempest, as well as finishing The Magicians trilogy by Lev Grossman. I also just finished my friend Dana Langer’s truly wonderful middle grade novel, Siren Sisters, which I cannot recommend enough!

Molly Booth

Molly Booth

Molly Booth is a freelance writer, youth theatre director, and graduate student at UMass Boston. She writes YA books about Shakespeare and feelings. Her first novel Saving Hamlet, is out now from Disney Hyperion. Her second, Nothing Happened will be coming spring 2018. She lives in Boston, and has almost too many pets. Almost. For more, find her on twitter @mollygbooth, and visit her website: www.mollybooth.com

Saving Hamlet was probably my favorite YA read of 2016. You’ll laugh out loud, I promise.

Get your copy here:

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The Pilot Metropolitan

2017-01-28-10-21-13There are many ways I am a total nerd, but one way my freak flag flies is over office supplies. I have a weakness for blank notebooks, stationary, freshly sharpened pencils, and fountain pens. And I want to tell you about a fountain pen I recently discovered that is not expensive and writes like a dream.

Meet the Pilot Metropolitan. At about $14, this is the nicest pen you can buy in the price range. It is weighty, sits nicely in the hand, and comes in a variety of colors. It makes my heart throb a little to look at the lovely array I have here. And for a pen that is this inexpensive it is surprisingly smooth. The nib just glides over the paper in way that makes my heart go pitter-pat.  My heart, apparently, is highly affected by fountain pens.

 
There are different nibs too. There are fine, medium and broad tips that you can buy. But keep in mind that these are Japanese and their fine nib is super fine. My first (the turquoise) is a fine nib and it is almost like writing with a needle. But it is perfect for me to write in my daily calendar pages. The other two are medium nibs and I find them perfect for writing in my journal.

2017-01-28-10-37-55And then there is the question of ink! Oh my goodness there are so many beautiful colors of ink out there these days. One to suit every whim, every mood. And the Metropolitan works with cartridges or a converter so you can use bottled ink as well, which makes your options endless.

If you find yourself getting all hot and bothered by pens and paper as I, do yourself a favor and get yourself a Pilot Metropolitan. You’ll be instantly in love.

Five Questions: Robert Wilder

Nickel by Robert Wilder

Nickel by Robert Wilder

I met Robert Wilder at the Sanibel Island Writers Conference last November. If you remember I volunteered for the event and was the lucky person who ran trips to and from the airport. Rob was one of the folks I carted around, and he was great to talk to.  I look forward to seeing him again someday.

Rob has previously written several books of humorous essays, but Nickel is his first foray into Young Adult literature. Coy is an adorkable teenage boy with a mother in rehab and a slightly inept stepfather. His lifeline is his best friend, the 80’s obsessed Monroe. But when she comes down with a serious and indefinable illness Coy is left to fend for himself in the cruel high school landscape.

Wilder really hit the awkward, nerdy teenager on the spot. Coy digs right into your heart and won’t let go. Nickel is both painful and ultimately hopeful as we follow his lows (a surprise birthday party with almost no attendees) and highs (meeting Avree, a girl he thinks is out of his league). Told with a keen understanding of the teenage mind, Nickel is a funny and authentic read from an author to watch.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

NICKEL is a tribute to the quiet, odd kids I’ve enjoyed teaching over my twenty-five years in the classroom. My inspiration for the novel began with all the essays, stories, poems and journal entries I’ve read by the quirky kids, a series of interior voices few others had access to. I then combined those voices with a dash of my son London and my younger self to form Coy, the narrator.

2. What is your writing process? Are you an outliner or a pantser?

My early drafts are purely exploratory. I start with a voice or idea or event and then follow it, not worrying about anything (or showing anyone) until I have a full draft. Then I start again since I hopefully know what the novel’s intentions are. Somewhere along the line, I’ll tape butcher paper up on my kitchen walls and sketch the overall plot, scenes, or character arcs, but not until I have at least two full drafts under my belt.

3. Who are the writers which most influence your writing style?

Style? I’m not sure but for NICKEL, I read Lorrie Moore, Antonya Nelson, JD Salinger, Sarah Shun Lien-Bynum, Augusten Burroughs and others.

4. Do you listen to music when you write?

Nothing with lyrics. Mostly jazz while I’m writing, but when I’m in the car or taking a break I listen to all different types of music. The characters of Coy and Monroe in NICKEL are obsessed with the 1980s, so I reacquainted myself (rather loudly) with Foreigner, Bad Company, AC/DC, The Smiths.

5. What are you reading right now?

I just finished Nicholson Baker’s Substitute and Anne Valente’s Our Hearts Will Burn Us Down; I’m in the middle of Elizabeth Strout’s My Name is Lucy Barton; and The Odd Woman and The City by Vivian Gornick is up next.

Robert Wilder

Robert Wilder

Robert Wilder is the author of a novel, NICKEL (Leaf Storm Press), and two critically acclaimed essay collections, Tales From The Teachers’ Lounge and Daddy Needs A Drink, both published by Delacorte Press.

A teacher for twenty-five years, Wilder has earned numerous awards and fellowships, including the inaugural Innovations in Reading Prize by the National Book Foundation. He has published essays in NewsweekDetails, SalonParentingCreative Nonfiction, plus numerous anthologies and has been a commentator for NPR’s Morning Edition. 

Thanks for playing along Rob! Go get this book, you’re going to love it.

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