The Muse Wields a Sledgehammer

NaNoWriMo

On November 1st I am going to embark on a writing frenzy. Every day for a month I am going to write an average 1,667 words until I have a grand total of 50,000 by November 30. This is National Novel Writing Month. I’ve participated twice before, once in 2011 and once in 2013, each time I wrote over 50,000 words.

Yes, my book is still on submission, and while I am waiting I have been toying with a book idea. I’ve started writing the thing three times and each time I’ve been dissatisfied with the results. The plot, the characters, all feel derivative, like I’ve seen it before a million times. That is a disaster waiting to happen.

And in the past two days I’ve gotten three passes, which is hard to take. I know it isn’t personal, but each one is another little cut until I’m stinging and bleeding all over the place. Yeah, I suppose that’s dramatic, but I allow myself to wallow in misery for a night and then I suck it up and move on.

So last night after a visit to Royal Scoop ice cream to drown my sorrows, I went to bed. I was idly thinking about a tweet my agent had put out last week about how he would love to see a Western. So I started thinking about how I love Westerns myself, and what I would do if I ever wrote one.

That’s when the muse descended and whacked me in the back of the head with a sledgehammer. I had a hard time falling asleep because my brain was galloping away in a thousand directions, coming up with brilliant ideas and details. I kept having to get up and write them down.

This morning I have two protagonists, a setting, the rough outline of a plot, and even a title. I’m calling it West of Never and on November 1st I am going to start the first draft. The rest of October will be given over to drafting an outline, character sketches, and general noodling. I’m pitching it as True Grit meets Thelma and Louise.

This. This is going to be wicked fun.

And that’s what writing is all about, right? If it isn’t fun, you shouldn’t be doing it.

Five Questions: Katharine McGee

The Thousandth Floor

It’s one hundred years in the future, and New York is still the center of civilization, but with wicked cool new technology. Contact lenses can make calls and show your social media feed, cars are replaced by self-driving machines, and the tallest building in town is now 1000 stories tall: complete with schools, shops, parks, and houses–there is literally no need to go outside. Why would you want to?

Some things never change, however, and the wealthy still live extravagantly on the upper floors, teens still party and experiment with sex and drugs, and the course of true love still doesn’t run straight.

The Thousandth Floor and its sequel The Dazzling Heights follows a group of teens as they try to navigate their way to adulthood. Avery is the golden child, genetically modified to be gorgeous and smart. Her friends Eris, Leda and Cord all go to an exclusive school “Up Tower,” while Rylin and Watt, kids from the lower floors stumble into their orbit of parties, expensive clothes, and killer digs.

The Dazzling Heights

But things aren’t as perfect as they appear on the surface. Many secrets and troubles exist between the different players and someone ends up getting hurt. Will the others keep the secret, perhaps the deadliest secret of all?

Katharine McGee has put together a tale that is at once gleaming with polish and raw and authentic. I would pitch it as Gossip Girl of the 22nd century, and it really is a glossy read filled with lifestyles of the young and rich and the all-too-real troubles of a teen from any age: substance abuse, bullying, sex, and forbidden love. I really enjoyed these both and look forward to the next in the continuing series. Here are Katharine’s five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I lived in Manhattan for five years after I graduated from college, working as an editor of young adult fiction. This was back when the dystopian craze was all the rage, series like The Hunger Games and Divergent. I couldn’t stop thinking about those books, wondering what it said about us as a society that we were obsessed with such bleak, dark visions of the future. What would the future look like if, instead of destroying the world, we actually got things right—if each generation left the world better than they found it? I wanted to write a non-dystopian young adult novel set in the future, but hadn’t quite figured out what would look like.

Then I read an article about a concept called “vertical urbanization”: the idea that cities in the future will grow increasingly tall until they become massive skyscrapers. The idea captured my imagination. I mentioned it to my boss at work, who said the phrase “the thousandth floor,” and I knew I had my title right there! 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m an outliner through and through! I couldn’t survive without an outline, especially since I’m dealing with five different narrators, whose stories all intersect in complicated ways. One of my old writing professors called this the domino effect: if you change one thing that happens to one character, it creates a ripple that extends through all the stories. So before I write I spend a lot of time on my chapter-by-chapter outline. It inevitably changes along the way, but that’s just part of the process.

3. Who are the writers which most influence your writing style?

My favorite series of all time is still Philip Pullman’s His Dark Materials trilogy—there’s really nothing else like it, and I highly recommend it if you haven’t yet read it. I’m also very into George R.R. Martin lately, in no small part because of the way he so deftly handles his various narrators, killing off characters and then cycling in new ones, all while still maintaining a heart-pounding sense of urgency. I’ve been trying to do something a bit like that with The Thousandth Floor!

4. Do you listen to music when you write?

I’m one of those people who needs silence to write! Somehow my brain has trouble sorting through the prose, especially dialogue, when there’s music on. It’s like my brain can’t process the words of the music and then also come up with new words at the same time! So I’m not very good at getting work done in cafés: I mostly work in my home office, or occasionally in a library. But I do play music between scenes to take my mind off things!

5. What are you reading right now?

I just finished Kendare Blake’s One Dark Throne, which is the second in a fantastic fantasy series set in a world where three princess sisters have to kill each other, and the one who lives will become the queen! I’m also reading Neal Stephenson’s Quicksilver, an adult historical fiction/fantasy about the rise of early modern Europe. It’s one of those epic, sprawling stories that builds an incredible and intricate world, so I’ve been savoring it.

Katharine McGee

Katharine McGee is originally from Houston, Texas. She studied English and French literature at Princeton University and has an MBA from Stanford. It was during her years in New York, working as an editor by day and writing by night, that she began a manuscript about life in a futuristic skyscraper. The Thousandth Floor is her first novel. She currently lives in Houston with her husband. Check out her website at katharinemcgee.com.

We’re Back in the Saddle Again

Good old Gene Autry. He wrote the song about being back out on the range, toting his old ’44 and feeling at home. When I set out to write this I just conjured the line of the chorus without really considering the rest of the lyrics, but I find that they mean something more than being back in one’s old routine.

I`m back in the saddle again
Out where a friend is a friend
Where the longhorn cattle feed
On the lowly gypsum weed
Back in the saddle again
Ridin` the range once more
Totin` my old .44
Where you sleep out every night
And the only law is right
Back in the saddle again
Whoopi-ty-aye-oh
Rockin` to and fro
back in the saddle again
Whoopi-ty-aye-yay
I go my way
Back in the saddle again
It’s more than doing something familiar. It’s about being in a place that is comfortable, that suits a person right down to the blood marrow. Every person is different when it comes to their saddle. Some people never discover what theirs is, and for those I feel the most sorrow, for there is something so satisfying at being in a place that brings you quiet joy.
For me, it’s writing.
The Abduction of Audrey Bettencourt is currently out on submission to editors in New York. It is a thrilling and terrifying prospect all at once that chips away at my concentration on everything. My brain is always half somewhere else, wondering, hoping, and wishing for the best news possible.
To distract myself I have started a new novel. I won’t tell you about it yet because the idea is still just a seed and I need to work things out before I start yammering about it to the world. But this is exactly what I need. Writing is being in the saddle for me. It is a place so familiar and sweet that it calms and energizes me at the same time. I can throw my entire brain at it and be absorbed completely, no fretting about what may or may not happen in other arenas of life.
So I am going to dive head first into a new project and give it all my attention. What may come with Audrey will happen in its own time. Don’t get me wrong, I will be out of my mind with happiness if it sells. But in the meantime I am going to do what I love most.
Whoopi-ty-aye-yay.

Chelsea Sedoti: Five Questions

Hawthorn Creely is the true essence of awkward. She doesn’t interact well with her peers, she is the total opposite of her golden jock older brother, and she always says the wrong thing. She might be a little self-absorbed too, but she’s too busy thinking about how awkward she is to notice.

But then Lizzie Lovett, a girl who graduated with her brother disappears on a camping trip and Hawthorn’s focus narrows to a point. What happened? Did her boyfriend have anything to do with it? Obsessively following the story, Hawthorn decides to do her own snooping around, including finding out more about Lizzie’s boyfriend and what he might know.

Chelsea Sedoti writes a fascinating tale of obsession, mystery, and danger. Hawthorn gets tangled in a web of her own making and must learn some hard lessons to extricate herself. The marvelous thing about this book is that even though there is darkness and despair there is also humor and light. Sedoti does a beautiful job of balancing the two.

Five Questions
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

Several years ago, I saw an article in the newspaper about a missing girl. Though I didn’t know her, I became oddly interested in the case. I started following it closely, checking daily for updates. After a few weeks of this, I stopped and asked myself why I was so obsessed with the missing girl. I didn’t have an answer, but decided I should pull back a little bit.

But the incident made me think about putting a character in the same situation. A teenage girl who gets wrapped up in a disappearance that has nothing to do with her. Only this girl wouldn’t know when to stop. She would let herself get drawn in to the disappearance more and more.

And just like that, the main character in THE HUNDRED LIES OF LIZZIE LOVETT was born. The rest of the story followed.

2.  What is your writing process? Are you an outliner or a pantser?

I tend to fall somewhere in between plotting and pantsing.

If I begin without knowing where the book is heading, I get lost along the way. It’s not fun to realize halfway through that a good portion of your story doesn’t make sense.

On the other hand, if I know every single thing that’s going to happen in a book, the writing process becomes much less exciting. I miss out on the moments where the characters surprise me.

So before I start writing, I know how the book begins, I know how it ends, and I know the key moments that happen along the way. Beyond that, I just wait and see where the story and characters take me.

3. Who are the writers which most influence your writing style?

My favorite writer is John Irving, and he’s been influencing my writing since I was a teenager. That might seem odd—he writes literary books for adults, I write strange books for teenagers. But my favorite thing about his writing has always been how he blends comedy and tragedy. Life is never entirely dark or entirely light. Most of the time it falls somewhere in the middle. And sometimes humor is the only way to get through tough situations. This is something I’ve tried to emulate in my own books.

4. Do you listen to music when you write?

I generally don’t listen to music when I write. I get very influenced by the mood of music. So, if I were trying to write a lighthearted scene and a gloomy song came on, it would completely change the tone of the story. Rather than always trying to match the music to what I’m working on at the moment, I opt to write in silence.

5. What are you reading right now?

I’m currently reading DARE MIGHTY THINGS by Heather Kaczynski, an upcoming science fiction book about a competition to join a mysterious space expedition.

Chelsea Sedoti

Chelsea Sedoti fell in love with writing at a young age after discovering that making up stories was more fun than doing her school work (her teachers didn’t always appreciate this.) In an effort to avoid getting a “real” job, Chelsea explored careers as a balloon twister, filmmaker, and paranormal investigator. Eventually she realized that her true passion is writing about flawed teenagers who are also afraid of growing up. When she’s not at the computer, Chelsea spends her time exploring abandoned buildings, eating junk food at roadside diners, and trying to befriend every animal in the world. She lives in Las Vegas, Nevada where she avoids casinos, but loves roaming the Mojave Desert.

Hoodoo Voodoo Chooka Chooky Choo Choo

I can’t wait. I said I was going to take a little time off to relax before starting on the next book, but I don’t want to! I want to plunge ahead and start researching.

I write historical fiction which means my research nerd gene gets exercised frequently. The Abduction of Audrey Bettencourt is starts in London in 1817, right in the heart of the Regency period. Very Jane Austen, or Georgette Heyer, which excites me. But there is also the shadowy figure in a remote castle in the Carpathian mountains that I had to research as well.

Marie Laveau

This new book sees my heroine, Jane Bell, setting out from France on a journey to New Orleans. The war of 1812 still hangs heavy in the atmosphere, and a young Marie Laveau, the famous voodoo priestess, is just coming into her powers. What an enthralling period of history to explore!

I just went and ordered four books on New Orleans, Marie Laveau, and voodoo.  I can’t wait to dig in. I hope a visit to the city itself can be arranged within the next year. I’d love to absorb the flavor and history of NOLA first hand. I figure it isn’t that far and I’m already used to the heat living in South Florida like I do. Seriously. I could use oven mitts to handle the steering wheel these days.

Also: books are coming to meeeee!

I’ll still have a few days before the books arrive, so I’ll take that moment to breathe, relax, and do some recreational reading. Do you know of Book Bub? It’s a great little email service. You create an account and tell them your preferences and they send you a daily email with sales on eBooks from Amazon, Barnes and Noble, iBooks, etc. It’s wonderful and terrible because I have about 50 new books on my Nook that are just waiting for me. Well, vacation is coming and I’ll have plenty of reading material to choose from.

But soon I’ll be in the bayou.

(p.s. The title of this post refers to a song originally written by Woody Guthrie and covered by Billy Bragg and Wilco. It has been my resident ear worm all week.)

 

Only Good Things

Good things happened today.

It is the 20th anniversary of Harry Potter being published in the US. That is a marvelous anniversary to observe. I always thought about which house I would have been sorted into. I don’t quite know if I’m quite clever enough to be a Ravenclaw, I know I am not ruthless enough to be a Slytherin, but I am a hard worker so I think I would have done nicely in Hufflepuff.

Today was a good day for another reason–I sent the manuscript of my book to my agent in New York. Can I just pause for a moment and give him some love? Alex Slater at Trident Media Group is my champion. He fell head-over-heels in love with my first book and demanded (very politely) that he be allowed to represent me. Goodness, who doesn’t want that? He’s tirelessly enthusiastic, kind but direct, and believes in me and my writing. I know how lucky I am to have him in my corner. I hope that he will love The Abduction of Audrey Bettencourt as much as I do.

Now that I have sent it off to Alex I am quite without an occupation. I’ve been slaving over this manuscript in every spare moment for months now. I know I should be looking ahead to the next book and I shall, but first I think I’m going to do a little reading. It might be time to revisit the Harry Potter series and remind myself that I would have done well in Gryffindor too.

Down the Rabbit Hole

Like Alice in Wonderland, I’ve been deep underground in a surreal bout of editing. I can’t tell you how many times I have rewritten the ending of my novel. I think this count is number five. But each time it gets better and I think I might be there soon.

Please let me be there soon.

This novel has taken all my time, sucked every last second of my day that isn’t spent doing other things (you know, like my 40 hour a week job.) I’m obsessed, I’m determined, and I am so ready for this draft to be over. But that said, it keeps getting better every time I make changes. It tightens, streamlines, and propels the plot forward like a comet.

What’s it about? The (working) title is The Abduction of Audrey Bettencourt and I style it as a Pride and Prejudice meets X-Men. My heroine, Jane Bell, the youngest lady’s maid in London has a peculiar talent. She can pick up any inanimate object–a glove, a shoe, a handkerchief, and she can sense who touched it last and what they were feeling at the time. Her employer, Audrey Bettencourt is the most highly sought after debutante of her season. When she is kidnapped from her own coming out ball it is up to Jane to follow the clues to bring her home safely. But the reasons of her kidnapping are much more complex and far reaching than Jane realizes and she finds herself on a chase across the Continent to bring Audrey home.

I have fallen down the rabbit hole of editing. I might be able to climb my way back up soon. There are only 30 pages left in my manuscript, but it is the big finale and it must be as explosive, exciting and perfect as I can make it. The process of the second draft has been so protracted that I am losing patience with myself, although I am so close. Just a few more days work and I feel I will be there. If only I didn’t have this pesky day job taking up all my time and energy I would have been done weeks ago. But eating and having shelter are important too, I guess.

But soon I will put draft two to bed and then begin on the next step: draft three. *headdesk*

I will come out of this someday. And when I do I will have a polished novel with a kickass heroine and a twisty plot with a big bang ending. Stay tuned.

C.J. Redwine: Five Questions

Once upon a time there was a beautiful princess who lived in a faraway castle…

Scratch that.

Okay, once there was a princess named Ari didn’t really want to be a princess if she couldn’t snort, eat what she liked, or be friends with Cleo, the daughter of the head of the kitchens.

Ari’s twin brother Thad was king of Súndraille. He didn’t want to be king if he couldn’t keep his sister safe. So he made a deal with a dark and dangerous fae named Teague who could make it all better, but at the cost of his soul in ten years’ time.

Sebastian was a poverty-stricken young man with a mysterious past who became the new king’s weapons master. He didn’t want to be near people at all but was just making coin until he had enough to buy a cottage by the sea far, far away.

These three young people must work together to find a solution to their problem: saving Thad’s soul and the entirety of Súndraille from obliteration and repression by the evil Teague.

This book was an absolute joy to read. It had all the classic markings of a good fairy tale–a dark and twisted premise, a wicked villain, and a heroine with a heart of gold. But in addition to that C.J. Redwine wove in cheeky humor, palpable sorrow, and some rather gruesome action. It all melded together into a delicious read that kept me turning pages. It moved like a comet and kept me guessing until the very end.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

THE WISH GRANTER started with the idea of writing a story about a Faustian Rumpelstiltskin, and then everything else built from there.

2. What is your writing process? Are you an outliner or a pantser?

I do a lot of world building and character development in my head (sometimes for years) before finally sitting down to write a very detailed synopsis, which mostly deals with backstory, world, and the major plot points. I discover the minor plot points as I write.

3. Who are the writers which most influence your writing style?

I love stories with vivid worlds, high stakes plots, and emotionally driven characters, so I’ve taken bits and pieces of inspiration from other writers who have some of those elements in their stories. Some examples would be Katie McGarry, C.S. Lewis, Terry Brooks, Rae Carson, Courtney Stevens, and J.K. Rowling.

4. Do you listen to music when you write?

I do! I build specific playlists for each book I write. My playlists are public on Spotify.

5. What are you reading right now?

I’m reading WINK POPPY MIDNIGHT by April Genevieve Tucholke

 

This is Redwine’s second book in the Ravenspire series. The first, The Shadow Queen, is a clever retelling of Snow White, and not to be missed.

C.J. Redwine is the New York Times bestselling author of YA fantasy novels, including The Shadow Queen, The Wish Granter, and the Defiance trilogy. If the novel writing gig ever falls through, she’ll join the Avengers and wear a cape to work every day. To learn more about C.J., visit her website at www.cjredwine.com.

 

Elly Blake: Five Questions

frostblood

I am a sucker for a good fantasy. Magic, new worlds, adventure, and mystery are just the things that to me make a thrilling story.

Elly Blake’s Frostblood is a prime example of what I mean. Ruby is a Fireblood–she can control fire. But being a Fireblood is a big secret in her world. The Frostbloods, who can control ice, want to obliterate every last Fireblood and will stop at nothing to do so. When Ruby’s village is attacked she unwittingly reveals her true nature and is thrown in prison where she is tormented with buckets of ice water.

But then two Frostblood men arrive and tell her they will break her out of prison if she agrees to help them with a mission. She doesn’t trust them but is desperate to be free. She is taken to an abbey where she is healed and taught how to use her power properly, though most who know her true nature are frightened of her and the danger she represents as a fugitive.

And then there is Arcus. He is the Frostblood that freed her from prison. He hides behind a mask and is very reticent to share anything about himself other than what he expects of her. But a reluctant truce forms and they begin an unlikely friendship.

This book was so well done. The writing was outstanding and the story was well-plotted and satisfying. The sequel, Fireblood, comes out in September and I am ready for it NOW.

FIVE QUESTIONS
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I started with a character — Ruby, a girl with power over fire. I actually dreamed about a girl with power over fire and a king with an icy heart. When I woke up, I knew right away that her name was Ruby. I decided to focus on frost and fire as opposing elements, and started spinning ideas from there.

2. What is your writing process? Are you an outliner or a pantser?

I’m a pantser who wants to be a plotter. I try to plot, but I find it very hard to answer questions about character and plot before I start writing. I get to know the characters as I draft. So I know a few major points before I start, but the rest is a mystery until I have that messy draft. That’s when I focus on applying structure and plotting methods– during revisions.

3. Who are the writers which most influence your writing style?

There are many writers I love, and many writers whom I envy! I often wish I could write more like my favorite authors, but I’m not sure who actually influences my style most. I think when it comes to voice, most of our influences are unconscious. We pick things up from books we enjoy and it comes out when we write. A few of my favorite authors are: Marie Rutkoski, Megan Whelan Turner, Leigh Bardugo, Kristin Cashore, Morgan Rhodes, and so many more!

4. Do you listen to music when you write?

I usually listen to soundtracks: Tron: Legacy, Pirates of the Caribbean, Game of Thrones, The Dark Knight Rises, etc.

5. What are you reading right now?

I’m reading The Hate U Give by Angie Thomas. It’s so good! I just finished Caraval by Stephanie Garber, which was a beautiful read. (I also met Stephanie recently at a signing and that was a total thrill!) Next, I plan to read The Edge of Everything by Jeff Giles. I’m in a debut group so I’m reading a lot of 2017 debut books and loving them!

Elly Blake is the NYT bestselling author of Frostblood. After earning a BA in English literature, she held a series of seemingly random jobs, including project manager, customs clerk, graphic designer, reporter for a local business magazine, and (currently) library assistant. She lives in Southwestern Ontario with her husband, kids and a Siberian Husky mix who definitely shows Frostblood tendencies.

Ready for a thrilling fantasy?  Get your copy here:

Barnes and Noble                    Amazon

 

Eileen Cook: Five Questions

with-maliceI studied abroad when I was in college, and it was the best thing that had happened to me up to that point. Living and going to school in another country takes you out of your element and exposes you to new ways of being, and for that I am forever grateful.

But what if my time abroad had ended in tragedy? What if I woke up in a hosptial and had no recollection of how I had landed there or what had happened? Eileen Cook takes a look at that very premise in her young adult thriller With Malice.

A girl wakes up and doesn’t know where she is.  At least she remembers who she is, Jill Charron, a National Merit Scholar and state debate champion. But how she woke up connected to machines and tubes, an enormous pain in her head and a broken leg, she has no idea. The last thing she remembers is being with her friends Simone and Tara. But when her parents inform her she’s been in a car accident Jill is terrified she’s going to miss her study abroad trip. That’s when the second nasty surprise comes –she’s already been, the accident had happened in Italy.

With a traumatic brain injury Jill can’t remember a thing about going to Italy, let alone the accident that put her in the hospital. What really happened? Bit by bit Jill starts to put the pieces together and finds that the truth may or may not be more than she can stomach. Who is Niccolo? And had she and her best friend Simone really been fighting over him? Was the accident all her fault?

Told with a tense plot that reveals breadcrumbs to lead us back to the real story, With Malice is a twisty, dark thriller. Not knowing who to trust, Jill needs to untangle the fact from the fiction and discover just what part she played in the tragedy, and what really happened between Niccolo, Simone, and herself.

FIVE QUESTIONS

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

There were a few things that came together to form the idea of this book. I’m fascinated with long-term friendships and how they survive and evolve, or don’t. I knew I wanted to write about two friends who had been in a relationship for so long that at times it was hard to tell where the good parts and the bad intersected. I’d also worked for over twenty years in the field of vocational rehabilitation assisting with people with injuries and illnesses. I’d done a lot of work with individuals with brain injury and taking the opportunity to explore identity and relationships when you can’t trust your own memory was exciting.

Once I wrote a full draft of the manuscript I knew it was missing something and two other pieces of inspiration fell into place. The first was that I was planning a trip to Italy and it occurred to me to set the book there. I did a semester abroad while in college. It was an amazing experience, but there is something very disorienting about being so far away from home and your own culture. I felt it would give Jill an extra push to explore her friendship if they were out of their current element. As I prepared for the trip I started to read more about the Amanda Knox trial and that motivated me to add the pressure coming from the media- where everyone else is deciding your guilt or innocence based on very little information.

The final bit of inspiration came from the first season of the Serial podcast by NPR. (If you haven’t listened- download it- you’ll thank me.) It’s a true crime story about a murder trial that happened in the 1990s. With each person that told their story I would shift my feelings. “He’s totally innocent! He’s guilty! Wait-he’s innocent!” I wanted to see if I could recreate that feeling for readers by providing them with new perspectives that might change how they felt about the story line.

2. What is your writing process? Are you an outliner or a pantser?

When I started writing it took me a long time to realize that what works for one writer might not work for another. I always encourage people to try different processes and see what fits their style.

What works for me is to spend time plotting and planning before starting to write. Sometimes this includes writing diary entries from different character’s point of view, making timelines, and endless lists.  I used to jump in as soon as I had an idea, but I’ve learned it’s better to let an idea ferment for a period of time.  Like wine, it gets more complex and interesting if it sits for a while.

I usually get up early and walk the dogs or go to the gym before settling in with a cup of tea and getting to work.  I’m not creative before eight in the morning or after ten at night. I usually have three or four hours of writing/creative time before my brain gives up.  I spend the rest of my day doing more business things, marketing, teaching, research etc.  Also looking at random things on the Internet, yelling at my dogs to stop digging in the yard, and drinking endless cups of tea.

3. Who are the writers which most influence your writing style?

In some ways I find this an impossible question because I am terrified I’ll leave someone out. From Judy Blume who I loved with a white hot passion growing up, to Stephen King who was one of the first to inspire me to want to be a writer. (Can you imagine two more different writers if you tried?)  With every book I read I’m interested to see how that writer chose to tell that story, the decisions they made from when to start the story, to whose perspective to how they increased the tension. I try and learn from everything I read. I don’t believe there is any one (or even two or three) writers that directly influenced my writing- it would be all of them.  One of the things that still gives me great joy is standing in a library or bookstore and being aware of just how many great books are out there to read. And writers just keep making more!

4. Do you listen to music when you write?

I love the idea of listening to music, but I find that when I do I tend to start singing along. No one wants that. I sound like someone stepping on a hamster when I sing. I will sometimes play movie soundtrack music in the background while writing. I find the music is designed to invoke an emotion so it can inspire me. For example, if I’m writing an action scene then the Indiana Jones theme song might be on.

5. What are you reading right now?

I’ve recently read two books that I’m excited about. Both are coming out in June and I was lucky enough to get a sneak peek. (There are some benefits to being a writer!) I just finished a book called The Party by Robyn Harding. It’s the story of a slumber party where something goes horribly wrong and how all members of the family unravel after the event. The other book is The Sisters Chase by Sarah Healy about two girls who are homeless after their mom’s death and how far the older sister will go to protect her younger sister. In both books there’s a mix of YA and adult perspectives and I found how the different ages viewed the situations really interesting. Plus they’re great reads!

eileen-cookEileen Cook is a multi-published author with her novels appearing in eight different languages. Her books have been optioned for film and TV. She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. Her newest book, With Malice, came out in June 2016 and was called “a creepy and satisfying thriller” by Entertainment Weekly. She’s an instructor/mentor with the Simon Fraser University Writer’s Studio Program.
You can read more about Eileen, her books, and the things that strike her as funny at http://www.eileencook.com. Eileen lives in Vancouver with her husband and two very naughty dogs and no longer wishes to be anyone or anywhere else.

It’s a thrill-ride that ends in a crash. Get your copy here:

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