Five Questions: Catherine Egan

Julia can be unseen. She has the ability to “step back” into a shadowy place that renders her invisible to most people. It comes in handy when one is a spy. And Julia has been sent to Mrs. Och’s house to find out who is locked in the basement and what they are doing there.

Julia and her brother Dek have been on their own since their father disappeared and their mother was drowned for being a witch. Spira City is a cutthroat place where you live and die by your wits, and fortunately Julia is more clever than most.

But when things take a turn for the unusual at Mrs. Och’s house Julia is faced with a conundrum–should she do her job as she has been paid to do, or listen to her conscience?

JULIA VANISHES and JULIA DEFIANT are the first two books in the Witch’s Child trilogy, and I devoured them both. Julia is such a complex and likable heroine–funny, warm, and yet a little more ruthless than is good for her. I loved watching her character develop through the course of these two books, and I am waiting rather impatiently for the third, which Catherine says is slated to be released June of 2018.

I can’t mention all the characters, but I will tell you there is one named Pia, who is frightening, strong, devilishly quick, and rather ruthless herself. Julia finds her repulsive and yet oddly magnetic, like a tragedy from which she can’t look away.

I can’t tell you enough how much I loved these two books. Julia is such a complex character, and I found myself swallowed whole by the story. I aspire to write books as thoroughly good as these.

Here are Catherine’s five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I don’t think I can pinpoint a single seed – every story is the result of a few seeds that manage to connect. I can identify three main “seeds” that turned into JULIA VANISHES.

The most obvious seed was just the idea – I don’t know from where, really – of a spy who can step out of sight, so she’s there but unseen, though not fully invisible either. Another seed was connecting this vanishing spy to the world-building of a failed book. I’d written close to two hundred pages of a book about witches before giving it up, but when I decided to write a spy story, I returned to that disaster of a half-written book for salvage. I pulled out the entire setting and a number of side characters, like the fanatical, witch-hunting prime minister, Agoston Horthy, the fiercely protective witch Bianka and her magical little boy, and my favorite character, Pia, a villain I knew I had to use somewhere.

The third seed was a kind of daydream-image of a girl in a nightgown creeping through a dark house, picking a lock, and entering a room full of books. That became my first chapter. Julia herself emerged as soon as I began to write, and pulled the whole story along after her.

I always imagine my stories will be fun, rollicking thrillers, and they always come out much darker than I intend. After a friend pointed out that most of my characters have lost either a parent or a child, I had to acknowledge that I plant my story-seeds in the ever-fertile soil of my worst nightmares.

2. What is your writing process? Are you an outliner or a pantser?

I’m an outliner through and through. I can’t even start to write until I have a thorough, chapter-by-chapter outline. In the process of drafting, of course, I do diverge from my outline, but whenever that happens I panic and I have to stop and remake the outline to fit with the new direction the book is taking. This happens several times over the course of a couple of drafts, so maybe I’m really part pantser masquerading as an outliner. I do use my outline as kind of a crutch. I envy the faith and courage required to just leap into a story without a plan and see what you emerge with at the end.

3. Who are the writers which most influence your writing style?

Style is probably the hardest thing to trace back to particular influences, and also the hardest thing to change about one’s writing, I think. I desperately admire a kind of spare and flawless prose – think Kazuo Ishiguro – that I couldn’t dream of emulating.

I’m sure everything I read creeps into my writing one way or another, but when trying to think about influence, it’s easiest to think about late childhood / early teen reads, when I first began to think of writing as a craft. For the first time I wasn’t just absorbed by a good story – I was recognizing good writing.

The two books that leap to mind immediately are Louise Fitzhugh’s THE LONG SECRET, which was a revelation about writing complicated shades-of-grey characters, and how seeing a character from different perspectives changes everything (Harriet from HARRIET THE SPY is a central character, but she is mostly seen from Beth Ellen’s point of view), and Dodie Smith’s I CAPTURE THE CASTLE, also a master class in character, voice, and giving the reader what they need instead of what they want.

4. Do you listen to music when you write?

No! When my children were smaller I wrote with all kinds of noise in the background, but now I prefer silence whenever possible.

5. What are you reading right now?

I just finished THE BOOK OF DUST – for fans of Philip Pullman’s HIS DARK MATERIALS, it doesn’t disappoint – and now I’m reading Carmen Maria Machado’s riveting short stories, HER BODY AND OTHER PARTIES.


Catherine Egan is:

My books: JULIA DEFIANT, JULIA VANISHES, Shade & Sorceress, The Unmaking, Bone, Fog, Ash & Star
My blog:
My superpowers: high-kicking, list-making, simultaneously holding two opposing opinions
My weaknesses: fear of flying, over-thinking and then making bad decisions, excessive list-making
My allies: my made-for-walking-in black boots, Mick, the English Language
My enemies: decaf, low blood sugar, the passage of time
My mission: the coexistence of ambivalence and joy.

Cowpokes and Bastards

I’ve been reading a fascinating book called “What They Didn’t Teach You About the Wild West” by Mike Wright. It’s anecdotal in nature and chock full of information into the cowboy lifestyle of the Old West.

Some of my favorites quotes so far:

Cowboys often had their own way of speaking. A balding cook “ain’t got any hair ‘tween him and heaven.”  Another cowboy might be so crooked that he “could swallow nails and spit out corkscrews.” And a no-good cowboy “wasn’t worth a barrel of shucks,” referring to corn shucks for which there was little use…

And this gem of a letter written by a cowboy to his ranch owner back East:

Deer sur, We have brand 800 caves this roundup we have made some hay potatoes is a fare crop. That Inglishman yu lef in charge at the other camp got to fresh and we had to kill the son of a bitch. Nothing much has hapened sence yu lef. Yurs trulely, Jim.

I’ve also been watching a PBS documentary series at night called American Wild West. I’ve seen programs on General George Custer (a cocky bastard), Wyatt Earp (a crooked bastard), Jesse James (a mean bastard), and Billy the Kid (a baby bastard.) So far I have come to the conclusion that there wasn’t a decent man in all of the West during the latter half of the nineteenth century.

Still, they were all colorful bastards, no doubt about that. And it makes inspiration for a good yarn. I’m inspired by these dastardly devils.

November first is a week away. I’m excited to get along with these little dogies.

The Muse Wields a Sledgehammer


On November 1st I am going to embark on a writing frenzy. Every day for a month I am going to write an average 1,667 words until I have a grand total of 50,000 by November 30. This is National Novel Writing Month. I’ve participated twice before, once in 2011 and once in 2013, each time I wrote over 50,000 words.

Yes, my book is still on submission, and while I am waiting I have been toying with a book idea. I’ve started writing the thing three times and each time I’ve been dissatisfied with the results. The plot, the characters, all feel derivative, like I’ve seen it before a million times. That is a disaster waiting to happen.

And in the past two days I’ve gotten three passes, which is hard to take. I know it isn’t personal, but each one is another little cut until I’m stinging and bleeding all over the place. Yeah, I suppose that’s dramatic, but I allow myself to wallow in misery for a night and then I suck it up and move on.

So last night after a visit to Royal Scoop ice cream to drown my sorrows, I went to bed. I was idly thinking about a tweet my agent had put out last week about how he would love to see a Western. So I started thinking about how I love Westerns myself, and what I would do if I ever wrote one.

That’s when the muse descended and whacked me in the back of the head with a sledgehammer. I had a hard time falling asleep because my brain was galloping away in a thousand directions, coming up with brilliant ideas and details. I kept having to get up and write them down.

This morning I have two protagonists, a setting, the rough outline of a plot, and even a title. I’m calling it West of Never and on November 1st I am going to start the first draft. The rest of October will be given over to drafting an outline, character sketches, and general noodling. I’m pitching it as True Grit meets Thelma and Louise.

This. This is going to be wicked fun.

And that’s what writing is all about, right? If it isn’t fun, you shouldn’t be doing it.

Five Questions: Katharine McGee

The Thousandth Floor

It’s one hundred years in the future, and New York is still the center of civilization, but with wicked cool new technology. Contact lenses can make calls and show your social media feed, cars are replaced by self-driving machines, and the tallest building in town is now 1000 stories tall: complete with schools, shops, parks, and houses–there is literally no need to go outside. Why would you want to?

Some things never change, however, and the wealthy still live extravagantly on the upper floors, teens still party and experiment with sex and drugs, and the course of true love still doesn’t run straight.

The Thousandth Floor and its sequel The Dazzling Heights follows a group of teens as they try to navigate their way to adulthood. Avery is the golden child, genetically modified to be gorgeous and smart. Her friends Eris, Leda and Cord all go to an exclusive school “Up Tower,” while Rylin and Watt, kids from the lower floors stumble into their orbit of parties, expensive clothes, and killer digs.

The Dazzling Heights

But things aren’t as perfect as they appear on the surface. Many secrets and troubles exist between the different players and someone ends up getting hurt. Will the others keep the secret, perhaps the deadliest secret of all?

Katharine McGee has put together a tale that is at once gleaming with polish and raw and authentic. I would pitch it as Gossip Girl of the 22nd century, and it really is a glossy read filled with lifestyles of the young and rich and the all-too-real troubles of a teen from any age: substance abuse, bullying, sex, and forbidden love. I really enjoyed these both and look forward to the next in the continuing series. Here are Katharine’s five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I lived in Manhattan for five years after I graduated from college, working as an editor of young adult fiction. This was back when the dystopian craze was all the rage, series like The Hunger Games and Divergent. I couldn’t stop thinking about those books, wondering what it said about us as a society that we were obsessed with such bleak, dark visions of the future. What would the future look like if, instead of destroying the world, we actually got things right—if each generation left the world better than they found it? I wanted to write a non-dystopian young adult novel set in the future, but hadn’t quite figured out what would look like.

Then I read an article about a concept called “vertical urbanization”: the idea that cities in the future will grow increasingly tall until they become massive skyscrapers. The idea captured my imagination. I mentioned it to my boss at work, who said the phrase “the thousandth floor,” and I knew I had my title right there! 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m an outliner through and through! I couldn’t survive without an outline, especially since I’m dealing with five different narrators, whose stories all intersect in complicated ways. One of my old writing professors called this the domino effect: if you change one thing that happens to one character, it creates a ripple that extends through all the stories. So before I write I spend a lot of time on my chapter-by-chapter outline. It inevitably changes along the way, but that’s just part of the process.

3. Who are the writers which most influence your writing style?

My favorite series of all time is still Philip Pullman’s His Dark Materials trilogy—there’s really nothing else like it, and I highly recommend it if you haven’t yet read it. I’m also very into George R.R. Martin lately, in no small part because of the way he so deftly handles his various narrators, killing off characters and then cycling in new ones, all while still maintaining a heart-pounding sense of urgency. I’ve been trying to do something a bit like that with The Thousandth Floor!

4. Do you listen to music when you write?

I’m one of those people who needs silence to write! Somehow my brain has trouble sorting through the prose, especially dialogue, when there’s music on. It’s like my brain can’t process the words of the music and then also come up with new words at the same time! So I’m not very good at getting work done in cafés: I mostly work in my home office, or occasionally in a library. But I do play music between scenes to take my mind off things!

5. What are you reading right now?

I just finished Kendare Blake’s One Dark Throne, which is the second in a fantastic fantasy series set in a world where three princess sisters have to kill each other, and the one who lives will become the queen! I’m also reading Neal Stephenson’s Quicksilver, an adult historical fiction/fantasy about the rise of early modern Europe. It’s one of those epic, sprawling stories that builds an incredible and intricate world, so I’ve been savoring it.

Katharine McGee

Katharine McGee is originally from Houston, Texas. She studied English and French literature at Princeton University and has an MBA from Stanford. It was during her years in New York, working as an editor by day and writing by night, that she began a manuscript about life in a futuristic skyscraper. The Thousandth Floor is her first novel. She currently lives in Houston with her husband. Check out her website at

We’re Back in the Saddle Again

Good old Gene Autry. He wrote the song about being back out on the range, toting his old ’44 and feeling at home. When I set out to write this I just conjured the line of the chorus without really considering the rest of the lyrics, but I find that they mean something more than being back in one’s old routine.

I`m back in the saddle again
Out where a friend is a friend
Where the longhorn cattle feed
On the lowly gypsum weed
Back in the saddle again
Ridin` the range once more
Totin` my old .44
Where you sleep out every night
And the only law is right
Back in the saddle again
Rockin` to and fro
back in the saddle again
I go my way
Back in the saddle again
It’s more than doing something familiar. It’s about being in a place that is comfortable, that suits a person right down to the blood marrow. Every person is different when it comes to their saddle. Some people never discover what theirs is, and for those I feel the most sorrow, for there is something so satisfying at being in a place that brings you quiet joy.
For me, it’s writing.
The Abduction of Audrey Bettencourt is currently out on submission to editors in New York. It is a thrilling and terrifying prospect all at once that chips away at my concentration on everything. My brain is always half somewhere else, wondering, hoping, and wishing for the best news possible.
To distract myself I have started a new novel. I won’t tell you about it yet because the idea is still just a seed and I need to work things out before I start yammering about it to the world. But this is exactly what I need. Writing is being in the saddle for me. It is a place so familiar and sweet that it calms and energizes me at the same time. I can throw my entire brain at it and be absorbed completely, no fretting about what may or may not happen in other arenas of life.
So I am going to dive head first into a new project and give it all my attention. What may come with Audrey will happen in its own time. Don’t get me wrong, I will be out of my mind with happiness if it sells. But in the meantime I am going to do what I love most.

Chelsea Sedoti: Five Questions

Hawthorn Creely is the true essence of awkward. She doesn’t interact well with her peers, she is the total opposite of her golden jock older brother, and she always says the wrong thing. She might be a little self-absorbed too, but she’s too busy thinking about how awkward she is to notice.

But then Lizzie Lovett, a girl who graduated with her brother disappears on a camping trip and Hawthorn’s focus narrows to a point. What happened? Did her boyfriend have anything to do with it? Obsessively following the story, Hawthorn decides to do her own snooping around, including finding out more about Lizzie’s boyfriend and what he might know.

Chelsea Sedoti writes a fascinating tale of obsession, mystery, and danger. Hawthorn gets tangled in a web of her own making and must learn some hard lessons to extricate herself. The marvelous thing about this book is that even though there is darkness and despair there is also humor and light. Sedoti does a beautiful job of balancing the two.

Five Questions
1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

Several years ago, I saw an article in the newspaper about a missing girl. Though I didn’t know her, I became oddly interested in the case. I started following it closely, checking daily for updates. After a few weeks of this, I stopped and asked myself why I was so obsessed with the missing girl. I didn’t have an answer, but decided I should pull back a little bit.

But the incident made me think about putting a character in the same situation. A teenage girl who gets wrapped up in a disappearance that has nothing to do with her. Only this girl wouldn’t know when to stop. She would let herself get drawn in to the disappearance more and more.

And just like that, the main character in THE HUNDRED LIES OF LIZZIE LOVETT was born. The rest of the story followed.

2.  What is your writing process? Are you an outliner or a pantser?

I tend to fall somewhere in between plotting and pantsing.

If I begin without knowing where the book is heading, I get lost along the way. It’s not fun to realize halfway through that a good portion of your story doesn’t make sense.

On the other hand, if I know every single thing that’s going to happen in a book, the writing process becomes much less exciting. I miss out on the moments where the characters surprise me.

So before I start writing, I know how the book begins, I know how it ends, and I know the key moments that happen along the way. Beyond that, I just wait and see where the story and characters take me.

3. Who are the writers which most influence your writing style?

My favorite writer is John Irving, and he’s been influencing my writing since I was a teenager. That might seem odd—he writes literary books for adults, I write strange books for teenagers. But my favorite thing about his writing has always been how he blends comedy and tragedy. Life is never entirely dark or entirely light. Most of the time it falls somewhere in the middle. And sometimes humor is the only way to get through tough situations. This is something I’ve tried to emulate in my own books.

4. Do you listen to music when you write?

I generally don’t listen to music when I write. I get very influenced by the mood of music. So, if I were trying to write a lighthearted scene and a gloomy song came on, it would completely change the tone of the story. Rather than always trying to match the music to what I’m working on at the moment, I opt to write in silence.

5. What are you reading right now?

I’m currently reading DARE MIGHTY THINGS by Heather Kaczynski, an upcoming science fiction book about a competition to join a mysterious space expedition.

Chelsea Sedoti

Chelsea Sedoti fell in love with writing at a young age after discovering that making up stories was more fun than doing her school work (her teachers didn’t always appreciate this.) In an effort to avoid getting a “real” job, Chelsea explored careers as a balloon twister, filmmaker, and paranormal investigator. Eventually she realized that her true passion is writing about flawed teenagers who are also afraid of growing up. When she’s not at the computer, Chelsea spends her time exploring abandoned buildings, eating junk food at roadside diners, and trying to befriend every animal in the world. She lives in Las Vegas, Nevada where she avoids casinos, but loves roaming the Mojave Desert.

Hoodoo Voodoo Chooka Chooky Choo Choo

I can’t wait. I said I was going to take a little time off to relax before starting on the next book, but I don’t want to! I want to plunge ahead and start researching.

I write historical fiction which means my research nerd gene gets exercised frequently. The Abduction of Audrey Bettencourt is starts in London in 1817, right in the heart of the Regency period. Very Jane Austen, or Georgette Heyer, which excites me. But there is also the shadowy figure in a remote castle in the Carpathian mountains that I had to research as well.

Marie Laveau

This new book sees my heroine, Jane Bell, setting out from France on a journey to New Orleans. The war of 1812 still hangs heavy in the atmosphere, and a young Marie Laveau, the famous voodoo priestess, is just coming into her powers. What an enthralling period of history to explore!

I just went and ordered four books on New Orleans, Marie Laveau, and voodoo.  I can’t wait to dig in. I hope a visit to the city itself can be arranged within the next year. I’d love to absorb the flavor and history of NOLA first hand. I figure it isn’t that far and I’m already used to the heat living in South Florida like I do. Seriously. I could use oven mitts to handle the steering wheel these days.

Also: books are coming to meeeee!

I’ll still have a few days before the books arrive, so I’ll take that moment to breathe, relax, and do some recreational reading. Do you know of Book Bub? It’s a great little email service. You create an account and tell them your preferences and they send you a daily email with sales on eBooks from Amazon, Barnes and Noble, iBooks, etc. It’s wonderful and terrible because I have about 50 new books on my Nook that are just waiting for me. Well, vacation is coming and I’ll have plenty of reading material to choose from.

But soon I’ll be in the bayou.

(p.s. The title of this post refers to a song originally written by Woody Guthrie and covered by Billy Bragg and Wilco. It has been my resident ear worm all week.)


Only Good Things

Good things happened today.

It is the 20th anniversary of Harry Potter being published in the US. That is a marvelous anniversary to observe. I always thought about which house I would have been sorted into. I don’t quite know if I’m quite clever enough to be a Ravenclaw, I know I am not ruthless enough to be a Slytherin, but I am a hard worker so I think I would have done nicely in Hufflepuff.

Today was a good day for another reason–I sent the manuscript of my book to my agent in New York. Can I just pause for a moment and give him some love? Alex Slater at Trident Media Group is my champion. He fell head-over-heels in love with my first book and demanded (very politely) that he be allowed to represent me. Goodness, who doesn’t want that? He’s tirelessly enthusiastic, kind but direct, and believes in me and my writing. I know how lucky I am to have him in my corner. I hope that he will love The Abduction of Audrey Bettencourt as much as I do.

Now that I have sent it off to Alex I am quite without an occupation. I’ve been slaving over this manuscript in every spare moment for months now. I know I should be looking ahead to the next book and I shall, but first I think I’m going to do a little reading. It might be time to revisit the Harry Potter series and remind myself that I would have done well in Gryffindor too.

Down the Rabbit Hole

Like Alice in Wonderland, I’ve been deep underground in a surreal bout of editing. I can’t tell you how many times I have rewritten the ending of my novel. I think this count is number five. But each time it gets better and I think I might be there soon.

Please let me be there soon.

This novel has taken all my time, sucked every last second of my day that isn’t spent doing other things (you know, like my 40 hour a week job.) I’m obsessed, I’m determined, and I am so ready for this draft to be over. But that said, it keeps getting better every time I make changes. It tightens, streamlines, and propels the plot forward like a comet.

What’s it about? The (working) title is The Abduction of Audrey Bettencourt and I style it as a Pride and Prejudice meets X-Men. My heroine, Jane Bell, the youngest lady’s maid in London has a peculiar talent. She can pick up any inanimate object–a glove, a shoe, a handkerchief, and she can sense who touched it last and what they were feeling at the time. Her employer, Audrey Bettencourt is the most highly sought after debutante of her season. When she is kidnapped from her own coming out ball it is up to Jane to follow the clues to bring her home safely. But the reasons of her kidnapping are much more complex and far reaching than Jane realizes and she finds herself on a chase across the Continent to bring Audrey home.

I have fallen down the rabbit hole of editing. I might be able to climb my way back up soon. There are only 30 pages left in my manuscript, but it is the big finale and it must be as explosive, exciting and perfect as I can make it. The process of the second draft has been so protracted that I am losing patience with myself, although I am so close. Just a few more days work and I feel I will be there. If only I didn’t have this pesky day job taking up all my time and energy I would have been done weeks ago. But eating and having shelter are important too, I guess.

But soon I will put draft two to bed and then begin on the next step: draft three. *headdesk*

I will come out of this someday. And when I do I will have a polished novel with a kickass heroine and a twisty plot with a big bang ending. Stay tuned.

C.J. Redwine: Five Questions

Once upon a time there was a beautiful princess who lived in a faraway castle…

Scratch that.

Okay, once there was a princess named Ari didn’t really want to be a princess if she couldn’t snort, eat what she liked, or be friends with Cleo, the daughter of the head of the kitchens.

Ari’s twin brother Thad was king of Súndraille. He didn’t want to be king if he couldn’t keep his sister safe. So he made a deal with a dark and dangerous fae named Teague who could make it all better, but at the cost of his soul in ten years’ time.

Sebastian was a poverty-stricken young man with a mysterious past who became the new king’s weapons master. He didn’t want to be near people at all but was just making coin until he had enough to buy a cottage by the sea far, far away.

These three young people must work together to find a solution to their problem: saving Thad’s soul and the entirety of Súndraille from obliteration and repression by the evil Teague.

This book was an absolute joy to read. It had all the classic markings of a good fairy tale–a dark and twisted premise, a wicked villain, and a heroine with a heart of gold. But in addition to that C.J. Redwine wove in cheeky humor, palpable sorrow, and some rather gruesome action. It all melded together into a delicious read that kept me turning pages. It moved like a comet and kept me guessing until the very end.

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

THE WISH GRANTER started with the idea of writing a story about a Faustian Rumpelstiltskin, and then everything else built from there.

2. What is your writing process? Are you an outliner or a pantser?

I do a lot of world building and character development in my head (sometimes for years) before finally sitting down to write a very detailed synopsis, which mostly deals with backstory, world, and the major plot points. I discover the minor plot points as I write.

3. Who are the writers which most influence your writing style?

I love stories with vivid worlds, high stakes plots, and emotionally driven characters, so I’ve taken bits and pieces of inspiration from other writers who have some of those elements in their stories. Some examples would be Katie McGarry, C.S. Lewis, Terry Brooks, Rae Carson, Courtney Stevens, and J.K. Rowling.

4. Do you listen to music when you write?

I do! I build specific playlists for each book I write. My playlists are public on Spotify.

5. What are you reading right now?

I’m reading WINK POPPY MIDNIGHT by April Genevieve Tucholke


This is Redwine’s second book in the Ravenspire series. The first, The Shadow Queen, is a clever retelling of Snow White, and not to be missed.

C.J. Redwine is the New York Times bestselling author of YA fantasy novels, including The Shadow Queen, The Wish Granter, and the Defiance trilogy. If the novel writing gig ever falls through, she’ll join the Avengers and wear a cape to work every day. To learn more about C.J., visit her website at