Plague Diaries #11

It’s no secret that I’ve been dealing with major anxiety, so bad that for a while there it was all I could do to force myself out of bed in the morning, bed being the safest place on earth.

It’s also no secret that I took some medical leave from work to deal with getting my head back on straight. I am trying everyday to meditate, walk, knit, listen to podcasts, read, and do other kind things for myself so that I can relax enough to get my breathing back to a non-panicked state.  It’s been slow, but my mood is lifting and I am getting better.

The one sticking point is writing. Some asshole will probably point out that I’m writing this, but that’s not the same thing at all. Here is just a journal of thoughts, feelings and events. It isn’t creative, although some other asshole might argue that too.

But this is where things brighten. I have a friend who teaches at our local university, let’s call her LC. I’ve known LC for almost as long as I’ve been living in Florida which means we’ve been friends for over fifteen years. She’s always been a shining light in my life, even though I don’t get to see her often. But we have been talking a lot on the phone lately and she has been prodding me to get back to creativity.

We recently read together an essay, deconstructed it, and then each wrote our own homage to the formula and the brilliant writer. I like the first draft of my essay about goats (Greek goats, specifically), even though I was wheezing through the entire process of getting words down on the computer screen. I tweaked it a bit the next day and became more pleased with it, even though it isn’t nearly as poignant and heartbreaking  as the original. But it was good to be writing something again.

LC is great at giving feedback. Always starting with the positive and then moving gently to where things could be improved. She’s a brilliant writer herself and I can’t wait to read her version of the essay. (It’s her wedding anniversary today, so I’ll cut her some slack.) But the feeling of putting words together and making some interesting connections fired something in me that had been doused by a bucket of mood disorder.

Things will always happen that will try to keep my from writing. The death of my mother stoppered things for a good year. This pandemic has strafed me as well. And next year it will be something else. Maybe the murder hornets will set up shop in the gardenia bushes out my back door. I don’t know.

But no matter how much water is thrown on the fire, I’ll keep going. Nathan Hill, the amazing author of The Nix, and a local, wrote this essay recently that said much more succinctly than what I’m trying to do here. Read it here:  Postcard From the Pandemic: A Solid Little Feeling

I will get back to writing. After my mother died and nearly a year had gone by I started with smaller pieces, flash fiction and some essays. Some got published in online and literary reviews. Maybe if my goat essay gets polished enough I’ll try sending that out too.

Writing is the fire in my blood. I might slow down, I might stop altogether from time to time,  but it always comes back, no matter what catastrophe I face. And if I just tempted fate with that statement, so be it. Bring on the murder hornets.

 

Looking Forward

It’s the end of the decade and the beginning of the twenties. I wonder if these will roar as loudly as the previous twenties did. And if not, what will they do? Are we about to enter the Exploding Twenties? The Whimpering Twenties? We’ve just been through the Dumpster Fire Teens, at least where politics is concerned.

Ahem. No politics, Anna.

This is a time of year, that nebulous, hazy time between Christmas and New Year’s, when people take stock of things. What have I accomplished in the past year? In the past decade? In my life? What do I want to do next?

I am of two minds about this practice. While I always think it is a good idea to write down your goals–it makes them permanent–I’m not always sure doing it this time of year is the best. We go into January with giant expectations of ourselves. For instance, I could say that I want to lose fifty pounds, learn Greek and Norwegian, start and Etsy business, Marie Kondo my house, and land myself a literary agent.

But I am sure I would only end up in a tepid teacup of bitter disappointment. The expectations we place on ourselves probably aren’t unattainable. I mean, I could do all those things above, but would it make me happy?

Probably not. Sure, I would have a huge sense of accomplishment, but I think I’m starting from the wrong angle. Instead of thinking about correcting my deficiencies (for example, my shameful monolingual-ism or my cluttered bedroom), maybe I should think of things that I know would make me happy and start there, working backwards to it.

Maybe we need to focus less on what we should be doing, and concentrate on the things that make us happy. Unless you’re a serial killer, of course.

On March 31, 2010, at approximately 4:45 pm I was hit with the bolt of inspiration that led me to write my first novel. I’d always thought of myself as a “writer” before then, even though I had only written a few short stories and some terrible poetry in college. But that day I was researching Greek mythology and I came up with the idea of writing a modern day take on the muses.

I confess, I might have been doing this at the end of my work day (Shame! Shame!) But at 5 pm I had a vague idea of where I wanted to go with the story and I roughed it out with my husband as we went for a walk after work. I was frolicking in circles around him, I was so excited.

I wrote the first draft in twelve weeks. I remember bursting into tears right after writing “the end” at the bottom of the page. Even though I wasn’t published, I had the chops to finish a novel! I really was a writer.

Since then I have worked very hard at my writing. I did my homework about the publishing industry and sent out queries to literary agents. I slaved over that first query letter. Every word was lovingly selected and combined into what I thought was a sculpted thing of beauty. I got a few nibbles, agents asking to see more than the initial pages I had sent out. But no one took the worm and pulled.

I did not give up. I thought the first novel might work better as a young adult story so I rewrote it completely. I queried again. Several agents asked to see the whole thing, but ultimately, I once again did not find someone to represent me.

I did not give up. I wrote a new book. This one was a young adult historical thriller set in Tudor England that is very dear to me. My wonderful husband, who is also my first-line editor, worked with me every night after work to hone that manuscript until it sparkled like a gem. (Let’s go with rubies, I really love rubies.)

I sent it out to agents starting in February of 2015. I got lots of positive responses, but still no takers. But then, after about 140 rejections, at the end of July, a brand-new agent from a huge agency in New York wrote to me to say he was head-over-heels in love with my book. I remember opening that email. It was on a Friday afternoon that I was off work.

I shrieked. My husband came running in from the other room. All I could do was put a hand over my mouth and point at the screen. I moved so he could sit and read. By the time he was done I was on the floor, on my hands and knees, and pounding the rug. (This is not a euphemism.) I was screaming and crying and filled with joy.

I had found an agent! Within a couple weeks I signed a contract and we started getting the manuscript in shape to send it to editors.

EDITORS. People who publish books. I had made the next rung on the ladder!

We queried editors until Christmas. Many were extremely favorable about the book but ultimately it came down to one thing: young adult historical is extremely hard to get past a sales team. I had many interested, but no takers.

And if you think that it stings less when an editor says no, you’re so wrong. It hurts like a motherfucker.

Finally, my agent had to break it to me that we had to shelve this book because there was no one left to send it to. I was devastated. I loved that book with everything I had.

I did not give up. I did my homework. I went out and grabbed up YA historical new releases and gobbled them down. It seemed that all the YA historical fiction that was being published (and still is) has some sort of fantasy element to it.

I wrote my third novel, another YA historical thriller with a fantasy element. I had a ridiculous amount of fun writing it. My agent said he was very excited to take it out to the editors. We sent it out. And once again we did not succeed in snaring an editor’s attention. The reason? There were too many YA fantasies out there right now and mine would just get lost in the mix.

I pounded my head on my desk. I wept. I felt like shit for quite a while.

In fact, about this time my mother’s health began to fail in earnest and 2018 was filled with me watching her die and then grieving for her. I did not write. I didn’t even read. I couldn’t. But there was that spark in me, that one that loved the process of crafting stories that wouldn’t be quenched.

But my contract with my agent expired and he did not offer to renew. I was heartbroken that I hadn’t had success when it had been at the tips of my fingers.

I did not give up.

In 2019 I started to come out of the well. I started by writing some flash fiction. I wrote a few short stories. I wrote a non-fiction piece about anxiety. And lo, when I sent some of these out, they were published! I had a flash piece called “Teeth” in Everyday Fiction. My essay on anxiety ended up in Vamp Cat Magazine. And two more flash pieces ended up printed in The Mangrove Review.

I went to The Mangrove Review launch party. I gave a reading. I LOVED it. I’m not just a writer, it turns out I’m an excellent public speaker too. I read with inflection. I crack jokes. Dammit, I’m witty.

I went back to a novel I had been thinking about since I was an undergrad taking art history. There is a famous Renaissance painter named Fra Filippo Lippi who was a monk. He used a young nun as a model for the Virgin Mary and ended up falling in love with her kidnapping her, and spiriting her away from the convent. You can’t make that shit up.

Or can you? I took that seed of an idea and started working on my fourth novel: a paranormal thriller set in Italy in the 1400s and present day. This one is for the adult market. I have it on good authority that the adult historical fiction market is hot.

While I’ve been working on this novel I’ve built an acquaintance with a literary agent. He has been very kind and given me good advice.  I sent him my second novel at the end of October and he responded with delight. He is a great agent: he started as an editor and now has a cadre of talent all over the spectrum. He’s seen all sides of the industry and really knows his stuff.

I know there’s no guarantee he’s going to take me. It isn’t his job to take me on because he likes me. He has to love my writing. But I have the talent and the drive. If he doesn’t take me I’ll keep going until I find someone that will.

I will not give up.

So to go back to the beginning, what am I expecting of myself in 2020 and beyond? I’m going to say “fuck you” to the resolutions and keep doing what makes me happy. That is writing. And even if I never get anything published, I will have had a satisfactory career as a writer. Because I love it.

Five Questions: Maria Alexander

Snowed by Maria Alexander

Snowed by Maria Alexander

Welcome to my next author interview! This week I am talking with Maria Alexander, the author of the amazing YA horror novel Snowed.

Charity Jones is a 16-year-old engineering genius who’s much-bullied for being biracial and a skeptic at her conservative school in Oak County, California. Everything changes when Charity’s social worker mother brings home a sweet teen runaway named Aidan to foster for the holidays. Matched in every way, Charity and Aidan quickly fall in love. But it seems he’s not the only new arrival: Charity soon finds the brutally slain corpse of her worst bully and she gets hard, haunting evidence that the killer is stalking Oak County. As she and her Skeptics Club investigate this death and others, they find at every turn the mystery only grows darker and more deadly. One thing’s for certain: there’s a bloody battle coming this holiday season that will change their lives – and human history – forever. Will they be ready?

FIVE QUESTIONS:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

Many years ago, on a miserable November night, I was feeling especially Grinchy as I was driving home from an awful, long-distance job. I’d always had a tempestuous relationship with Christmas. So when an instrumental version of “Carol of the Bells” came on the radio, it struck me as the darkest piece I’d ever heard. I’d just read Neil Gaiman’s “Nicholas Was,” which already had me in a myth-twisting mood. By the time I got home, I had a new story in my head, and all I had to do was sit and write. “Coming Home” was the result: a wicked flash fiction piece that was part social commentary, part bah-humbug, and completely surprising. I shared it with Neil, and he said, “This is the story I should have written.” That floored me, of course, but I knew I’d done something different.

It was published a dozen times and stolen even more before it was produced as a one-act play by Women in Theater in Los Angeles, and even adapted to podcast by Pseudopod.org. But I knew it had potential to be a bigger work. I didn’t really figure out how to adapt it to novel, though, until late 2012.

2. What is your writing process? Are you an outliner or a pantser?

I come from a screenwriting background. So, structure is very important to me, which means I outline. When I started Snowed, I thought I was writing this sweet magical romance. But something terrible fell out of nowhere at the end of Chapter 5 – something I hadn’t anticipated but it felt right. (If you’ve read the book, you know what that is.) That’s when I realized I was actually writing something very dark. I went back and totally revised the outline. I’m working on the sequel, Inversion. The first draft only took three months because I knew the broad strokes and all the characters. So, I don’t always need a thorough outline to write, but I do need to know the big moments.

3. Who are the writers which most influence your writing style?

It’s changed a lot since I switched to YA. It used to be authors like Caitlin Kiernan, Clive Barker and Tim Powers. Now I’m not so sure, although a couple of readers have said the Snowed is reminiscent of Joe Hill, who I love. I’d say that Philip Pullman has been and will always be a big influence on anything I write for younger audiences, as His Dark Materials had a major impact on me. And I read a lot of what my friend Nancy Holder writes, so no doubt she’s in there, as well.

4. Do you listen to music when you write?

Usually, and especially when I’m thinking about story, but never anything with lyrics unless it’s in another language. Just movie soundtracks, ambient, and classical music.

5. What are you reading right now?

A lot of stuff people are offering for Bram Stoker Awards consideration, actually — everything from horror poetry to novellas. But I’m really excited to dig into Gretchen McNeil’s newest book, I’m Not Your Manic Pixie Dream Girl, even if it’s not particularly dark. We met this year in San Diego at an event we were both signing at. She’s going to be the YA Guest of Honor at StokerCon 2017, and I look forward to spending time with her again.

 

Maria Alexander

Maria Alexander

Maria Alexander is the award-winning author of Mr. Wicker, numerous short stories, and two poetry collections. Her nonfiction is used in curriculum at Champlain University. Her debut YA novel, Snowed, from Raw Dog Screaming Press is being called “one heck of a page turner” by adults and “kick-ass” by teens. For more information, visit her website.

Thanks so much for your time, Maria! Seriously, you need to read this book. Charity Jones is whip-smart and sassy. I wish I had known her in high school. Go and get your copy here:

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