Plague Diaries #8

My place of work closed one month ago today, and even though we report to a library empty of patrons, we still do work to reach the public. My coworker and I did a live virtual book discussion today on Facebook, for instance. We’ve been heavy into making online content and pushing our digital resources so people won’t miss us quite so much. I know a lot of our regulars do. One doesn’t work at a library for fifteen years without getting to know quite a few faces.

I wonder about the homeless population. There are a few regulars at my branch that have been coming in every day for years to read the papers or use the computers. Now they can’t come to the library. They can’t go to the beach. All the parks are closed. What happened to them all? Where are they going all day?

We’ve also been handing out paper unemployment applications. Since the State of Florida’s “Reemployment” Office is being overwhelmed, they have resorted to having people fill those forms out on paper and mail them in. I suppose it makes a desperate person feel like they’re doing something, but I really don’t know how it’s supposed to help. Those applications aren’t going to be processed any time soon. Disney just furloughed tens of thousands of employees. Do you really think the system was made to handle that?

For those of us blessed enough to have jobs, I wonder if others are feeling pressure like me to prove my worth over and over again. The “I”m producing, please don’t lay me off,” spiel. But please, also, treat me like a human being. Take my health and safety into consideration as talk of reopening is starting to happen. Please don’t let me be cannon fodder because people need to check out movies.

I’ve mentioned before my only family is my father and my husband. As of now, I feel relatively safe at work. I mostly stay in my office. But when the library reopens, (it is only a matter of time, I know this) I am terrified of working with the public. I can begin to imagine how the folks who work at the grocery stores feel. I don’t want to feel like a bomb ready to explode at home and rain virus down on the two people who matter most to me.

I know reopening is going to happen. But I’m afraid the powers that be in Florida are going to move just as quickly to reopen as they were in being reluctant to close. The governor needs to look at the numbers. We added 1222 new cases just yesterday. A 32-year-old woman died in my county yesterday. We haven’t hit our peak. He needs to have people around him that are not just focused money but also on the value of human life. I fear this is not the case.

I get it. Money is important. Without it we starve, we don’t have shelter, our businesses falter and die. But the economy will bounce back, it always does. Even from the Great Depression.  It might take a long time, but it will happen.

But one thing you don’t bounce back from is dead. Every number in that death toll is a person who won’t be going forward on this earth. And every number is leaving innumerable others behind to mourn their senseless and lonely deaths.

I won’t apologize for being morose. I’m not happy with the way my country has responded to this epic disaster. I have a friend in France that I talk to often and she is appalled at what she hears in the news and the things I tell her. It makes me not ashamed, per se, but sad to be an American in these times. I love my country. I want it to be the shining beacon it once was to the world. There has never been another country so uniquely founded on ethics and careful logic as this one. To see it torn apart breaks my fucking heart.

Still, even at the bottom of Pandora’s box was hope. We have to cling to that like nothing else. Because right now, that is all we have. Hope for a vaccine. Hope for recovery. Hope for a future.

I’ll see you on the other side,

Anna

 

Five Questions: Katharine McGee

The Thousandth Floor

It’s one hundred years in the future, and New York is still the center of civilization, but with wicked cool new technology. Contact lenses can make calls and show your social media feed, cars are replaced by self-driving machines, and the tallest building in town is now 1000 stories tall: complete with schools, shops, parks, and houses–there is literally no need to go outside. Why would you want to?

Some things never change, however, and the wealthy still live extravagantly on the upper floors, teens still party and experiment with sex and drugs, and the course of true love still doesn’t run straight.

The Thousandth Floor and its sequel The Dazzling Heights follows a group of teens as they try to navigate their way to adulthood. Avery is the golden child, genetically modified to be gorgeous and smart. Her friends Eris, Leda and Cord all go to an exclusive school “Up Tower,” while Rylin and Watt, kids from the lower floors stumble into their orbit of parties, expensive clothes, and killer digs.

The Dazzling Heights

But things aren’t as perfect as they appear on the surface. Many secrets and troubles exist between the different players and someone ends up getting hurt. Will the others keep the secret, perhaps the deadliest secret of all?

Katharine McGee has put together a tale that is at once gleaming with polish and raw and authentic. I would pitch it as Gossip Girl of the 22nd century, and it really is a glossy read filled with lifestyles of the young and rich and the all-too-real troubles of a teen from any age: substance abuse, bullying, sex, and forbidden love. I really enjoyed these both and look forward to the next in the continuing series. Here are Katharine’s five questions:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

I lived in Manhattan for five years after I graduated from college, working as an editor of young adult fiction. This was back when the dystopian craze was all the rage, series like The Hunger Games and Divergent. I couldn’t stop thinking about those books, wondering what it said about us as a society that we were obsessed with such bleak, dark visions of the future. What would the future look like if, instead of destroying the world, we actually got things right—if each generation left the world better than they found it? I wanted to write a non-dystopian young adult novel set in the future, but hadn’t quite figured out what would look like.

Then I read an article about a concept called “vertical urbanization”: the idea that cities in the future will grow increasingly tall until they become massive skyscrapers. The idea captured my imagination. I mentioned it to my boss at work, who said the phrase “the thousandth floor,” and I knew I had my title right there! 🙂

2. What is your writing process? Are you an outliner or a pantser?

I’m an outliner through and through! I couldn’t survive without an outline, especially since I’m dealing with five different narrators, whose stories all intersect in complicated ways. One of my old writing professors called this the domino effect: if you change one thing that happens to one character, it creates a ripple that extends through all the stories. So before I write I spend a lot of time on my chapter-by-chapter outline. It inevitably changes along the way, but that’s just part of the process.

3. Who are the writers which most influence your writing style?

My favorite series of all time is still Philip Pullman’s His Dark Materials trilogy—there’s really nothing else like it, and I highly recommend it if you haven’t yet read it. I’m also very into George R.R. Martin lately, in no small part because of the way he so deftly handles his various narrators, killing off characters and then cycling in new ones, all while still maintaining a heart-pounding sense of urgency. I’ve been trying to do something a bit like that with The Thousandth Floor!

4. Do you listen to music when you write?

I’m one of those people who needs silence to write! Somehow my brain has trouble sorting through the prose, especially dialogue, when there’s music on. It’s like my brain can’t process the words of the music and then also come up with new words at the same time! So I’m not very good at getting work done in cafés: I mostly work in my home office, or occasionally in a library. But I do play music between scenes to take my mind off things!

5. What are you reading right now?

I just finished Kendare Blake’s One Dark Throne, which is the second in a fantastic fantasy series set in a world where three princess sisters have to kill each other, and the one who lives will become the queen! I’m also reading Neal Stephenson’s Quicksilver, an adult historical fiction/fantasy about the rise of early modern Europe. It’s one of those epic, sprawling stories that builds an incredible and intricate world, so I’ve been savoring it.

Katharine McGee

Katharine McGee is originally from Houston, Texas. She studied English and French literature at Princeton University and has an MBA from Stanford. It was during her years in New York, working as an editor by day and writing by night, that she began a manuscript about life in a futuristic skyscraper. The Thousandth Floor is her first novel. She currently lives in Houston with her husband. Check out her website at katharinemcgee.com.