The Muse Wields a Sledgehammer

NaNoWriMo

On November 1st I am going to embark on a writing frenzy. Every day for a month I am going to write an average 1,667 words until I have a grand total of 50,000 by November 30. This is National Novel Writing Month. I’ve participated twice before, once in 2011 and once in 2013, each time I wrote over 50,000 words.

Yes, my book is still on submission, and while I am waiting I have been toying with a book idea. I’ve started writing the thing three times and each time I’ve been dissatisfied with the results. The plot, the characters, all feel derivative, like I’ve seen it before a million times. That is a disaster waiting to happen.

And in the past two days I’ve gotten three passes, which is hard to take. I know it isn’t personal, but each one is another little cut until I’m stinging and bleeding all over the place. Yeah, I suppose that’s dramatic, but I allow myself to wallow in misery for a night and then I suck it up and move on.

So last night after a visit to Royal Scoop ice cream to drown my sorrows, I went to bed. I was idly thinking about a tweet my agent had put out last week about how he would love to see a Western. So I started thinking about how I love Westerns myself, and what I would do if I ever wrote one.

That’s when the muse descended and whacked me in the back of the head with a sledgehammer. I had a hard time falling asleep because my brain was galloping away in a thousand directions, coming up with brilliant ideas and details. I kept having to get up and write them down.

This morning I have two protagonists, a setting, the rough outline of a plot, and even a title. I’m calling it West of Never and on November 1st I am going to start the first draft. The rest of October will be given over to drafting an outline, character sketches, and general noodling. I’m pitching it as True Grit meets Thelma and Louise.

This. This is going to be wicked fun.

And that’s what writing is all about, right? If it isn’t fun, you shouldn’t be doing it.

Five Questions: Lawrence Tabak

in-real-lifeWelcome to my weekly author interview. This week I talked to Lawrence Tabak who wrote the great gaming novel In Real Life.

Fifteen-year-old math prodigy Seth Gordon knows exactly what he wants to do with his life—play video games. Every spare minute is devoted to honing his skills at Starfare, the world’s most popular computer game. His goal: South Korea, where the top pros are rich and famous. But the best players train all day, while Seth has school and a job and divorced parents who agree on only one thing: “Get off that damn computer.” Plus there’s a new distraction named Hannah, an aspiring photographer who actually seems to understand his obsession.

While Seth mopes about his tournament results and mixed signals from Hannah, Team Anaconda, one of the leading Korean pro squads, sees something special. Before he knows it, it’s goodbye Kansas, goodbye Hannah, and hello to the strange new world of Korea. But the reality is more complicated than the fantasy, as he faces cultural shock, disgruntled teammates, and giant pots of sour-smelling kimchi.

What happens next surprises Seth. Slowly, he comes to make new friends, and discovers what might be a breakthrough, mathematical solution to the challenges of Starcraft. Delving deeper into the formulas takes him in an unexpected direction, one that might just give him a new focus—and reunite him with Hannah.

THE FIVE QUESTIONS:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

When my second son was in middle school he rather suddenly decided that there were no longer any books of interest. Keep in mind this is within the confines of a house where bookshelves are everywhere and space on shelves is short. His main interest at the time was video gaming so after some back and forth he reluctantly agreed he’d give a book about a video gamer a shot. We tried the local bookstores without much luck — while there were a few very good science fiction type books that centered on gaming (Ender’s Game, for example) we couldn’t find a contemporary novel about kids obsessed with console controllers or mouse clicking. I was surprised, since in my experience, gaming was central to the lives of young boys. We could find any number of books about young basketball players, young football players, young hockey and tennis players. But not one about gamers. This was at a time when professional gaming was beginning to emerge domestically, and was already well established in South Korea. So I decided to write that book.

2. What is your writing process? Are you an outliner or a pantser?

I don’t work with a written outline, but do spend considerable mental energy laying out the general course of a book before I start. I once read a profile of best-seller thriller writer Harlan Corben in which he describes spending months lying around, dreaming up his intricate plots, which he finally pens in a frenzy of writing. I haven’t achieved this sort of mental discipline, but do tend to write fast once I get into a project. That said, I find that my storylines tend to twist and turn in composition as events fall into place in a way which seem more true to satisfying fiction than life.

3. Who are the writers which most influence your writing style?

I’ve been drawn to writing about younger protagonists more than writing for younger readers. As such, I’ve been most impressed with YA writers whose seem to be seeking to write the best possible books about young adults without tempering their composition for accessibility — what is sometimes called literary YA writing. The best of these writers are producing fine novels — not just fine novels that are geared for younger readers. Examples include A.S. King, Gayle Forman, and John Green. I’m also been knocked out by some modern writers when they delve into the lives and minds of younger protagonists. I’m thinking of the teenage Theodore and his dissolute friend Boris living as virtual orphans in the ruins of suburban Las Vegas in Donna Tartt’s The Goldfinch. Or the story Victory Lap which opens George Saunders’ collection Tenth of December. In a book I’m reading currently, Nathan Hill does an amazing job of capturing the passion and intensity of the emotional lives of eleven-year-olds in The Nix.

4. Do you listen to music when you write?

I often write with music on my headset, particularly since I like to work in semi-public places (coffee shops, libraries, student unions). I will usually just leave my song list on random, since once I get into the writing I’m not consciously aware of what songs are playing.

5. What are you reading right now?

I often have a couple books going at once. I’ve currently set everything aside to finish The Nix, a riveting 2016 novel by Nathan Hill. As I’ve mentioned, the sections devoted to his characters’ younger years are particularly stunning, as well as harrowing. It’s also a novel rich in political relevance, as it bounces back and forth between naive anti-war protestors in 1968 to a contemporary crisis involving a modern demogogic politician. I’ve got a bookmark in a just-translated volume of stories by Israeli Nobel Prize winner S.Y. Agnon, A City in Its Fullness, all set in the small Ukrainian city where he had spent his youth. And another bookmark in The Swerve, Stephen Greenblatt’s story of how a 15th century book hunter found the last extant manuscript of a Roman poem by Lucretius, On The Nature of Things, and in doing so, helped trigger the Renaissance.

 

lawrence-tabakLawrence Tabak started out on Candy Land but soon hit the harder stuff (Pong, Tron, SimAnt). His first job was playing knock hockey with ten-year-olds as a playground supervisor in Dubuque, Iowa. He graduated to jobs in pizza assembly and door-to-door solicitation before settling into a series of tennis jobs in Iowa, California, New Jersey and Kansas. Most recently he’s worked in the marketing communications side of finance in Kansas City and Madison, Wis. His freelance writing has appeared in numerous national magazines and journals including Fast Company, Salon.com and The Atlantic Monthly. He and his wife have raised two game-obsessed boys, mostly in Wisconsin. Among their accomplishments are stints on the pro-gaming squads of SK Gaming and Fnatic and helping launch the live-streaming gaming site, Twitch.

Thanks so much for taking the time to talk with me, Lawrence! If you have a teen who is obsessed with video games this is the perfect read. Watch for great new things to come from this author.

Get In Real Life here:     Barnes and Noble               Amazon

Five Questions: Maria Alexander

Snowed by Maria Alexander

Snowed by Maria Alexander

Welcome to my next author interview! This week I am talking with Maria Alexander, the author of the amazing YA horror novel Snowed.

Charity Jones is a 16-year-old engineering genius who’s much-bullied for being biracial and a skeptic at her conservative school in Oak County, California. Everything changes when Charity’s social worker mother brings home a sweet teen runaway named Aidan to foster for the holidays. Matched in every way, Charity and Aidan quickly fall in love. But it seems he’s not the only new arrival: Charity soon finds the brutally slain corpse of her worst bully and she gets hard, haunting evidence that the killer is stalking Oak County. As she and her Skeptics Club investigate this death and others, they find at every turn the mystery only grows darker and more deadly. One thing’s for certain: there’s a bloody battle coming this holiday season that will change their lives – and human history – forever. Will they be ready?

FIVE QUESTIONS:

1. What was the original seed idea for your book? Did it start with a character, a situation, or an idea?

Many years ago, on a miserable November night, I was feeling especially Grinchy as I was driving home from an awful, long-distance job. I’d always had a tempestuous relationship with Christmas. So when an instrumental version of “Carol of the Bells” came on the radio, it struck me as the darkest piece I’d ever heard. I’d just read Neil Gaiman’s “Nicholas Was,” which already had me in a myth-twisting mood. By the time I got home, I had a new story in my head, and all I had to do was sit and write. “Coming Home” was the result: a wicked flash fiction piece that was part social commentary, part bah-humbug, and completely surprising. I shared it with Neil, and he said, “This is the story I should have written.” That floored me, of course, but I knew I’d done something different.

It was published a dozen times and stolen even more before it was produced as a one-act play by Women in Theater in Los Angeles, and even adapted to podcast by Pseudopod.org. But I knew it had potential to be a bigger work. I didn’t really figure out how to adapt it to novel, though, until late 2012.

2. What is your writing process? Are you an outliner or a pantser?

I come from a screenwriting background. So, structure is very important to me, which means I outline. When I started Snowed, I thought I was writing this sweet magical romance. But something terrible fell out of nowhere at the end of Chapter 5 – something I hadn’t anticipated but it felt right. (If you’ve read the book, you know what that is.) That’s when I realized I was actually writing something very dark. I went back and totally revised the outline. I’m working on the sequel, Inversion. The first draft only took three months because I knew the broad strokes and all the characters. So, I don’t always need a thorough outline to write, but I do need to know the big moments.

3. Who are the writers which most influence your writing style?

It’s changed a lot since I switched to YA. It used to be authors like Caitlin Kiernan, Clive Barker and Tim Powers. Now I’m not so sure, although a couple of readers have said the Snowed is reminiscent of Joe Hill, who I love. I’d say that Philip Pullman has been and will always be a big influence on anything I write for younger audiences, as His Dark Materials had a major impact on me. And I read a lot of what my friend Nancy Holder writes, so no doubt she’s in there, as well.

4. Do you listen to music when you write?

Usually, and especially when I’m thinking about story, but never anything with lyrics unless it’s in another language. Just movie soundtracks, ambient, and classical music.

5. What are you reading right now?

A lot of stuff people are offering for Bram Stoker Awards consideration, actually — everything from horror poetry to novellas. But I’m really excited to dig into Gretchen McNeil’s newest book, I’m Not Your Manic Pixie Dream Girl, even if it’s not particularly dark. We met this year in San Diego at an event we were both signing at. She’s going to be the YA Guest of Honor at StokerCon 2017, and I look forward to spending time with her again.

 

Maria Alexander

Maria Alexander

Maria Alexander is the award-winning author of Mr. Wicker, numerous short stories, and two poetry collections. Her nonfiction is used in curriculum at Champlain University. Her debut YA novel, Snowed, from Raw Dog Screaming Press is being called “one heck of a page turner” by adults and “kick-ass” by teens. For more information, visit her website.

Thanks so much for your time, Maria! Seriously, you need to read this book. Charity Jones is whip-smart and sassy. I wish I had known her in high school. Go and get your copy here:

Barnes and Noble               Amazon